Alle

Electronic / Party

Experimental

Global Sounds

Jazz

Jazz Experimental

Jazz Modern Creative

Pop / Rock / Singer / Songwriter

Rap / R'n'B

Rap / R'n'B / Brass

Soul / Blues / Funk

20210511_show1_Marc Ribot_solo

Lea Lu & Juan Medina with Nils Wogram & Alejandra Lopez

Vocals

Guitar

Trombone

Bass

«Vergel»

The Zurich singer-songwriter meets the flamenco guitarist Juan Medina - an encounter between the two musicians in which the musical worlds of folk, flamenco and jazz merge - something new is created. Already at their second meeting, Lea and Juan began to write songs and inspiration bubbled up. This resulted in their debut album Vergel, which means something like: It will be released in January on the Spanish label Satelite K and christened at Moods. The songs are about new beginnings, curiosity about life and the sun of January. Music that moves and touches the hearts of the audience. Juan&#x27;s virtuoso playing style meets Lea&#x27;s minimalist singer-songwriter arrangements: Her soft velvety voice flies over the raw energy of Juan&#x27;s guitar. Open harmonies between flamenco and jazz form the basic framework, above which Lea&#x27;s dancing, velvety voice floats. For the release concert, Lea and Juan will be joined by double bassist Alejandra Lopez from Madrid and jazz trombonist Nils Wogram.

Dumama

Drum Kit

Kay Zhang – ANCESTRAL ROOTS

ANCESTRAL ROOTS invites people to a celebration that honors heritage and culture, living in and through the diaspora, and third culture identities through sound, storytelling or chanting, making the invitation wide, vibrant and inclusive. South African musician, sonic poet, and cultural researcher Gugulethu Duma (aka Dumama) criticizes and deconstructs archaic modes of representation of South African sonic and performance culture. As a storyteller and lyricist she weaves together childhood songs, stories and personal memories with electronic hues and gestures, experimenting with the divide between traditional oral culture and futuristic, globally oriented poetics in her embodiment of an African technological consciousness. For her performances and recordings, she predominantly works with voice, uHadi (a traditional Xhosa bow instrument), live vocal effected loops, processors, field recordings and distortions. This event was co-curated by Tracy September. Tracy September is a musician, performer, and music researcher born in South Africa and based in Zürich. Drawing from jazz, traditional Xhosa singing, and electronic experimentation, her work explores memory, spirit, and protest through improvisation. Tracy weaves voice, electronics, texts, archives, and field recordings into storytelling rooted in ritual and community. She also composes for film, theatre, and dance, performs with the band Black Pitch, and DJs under the alias youngseptember.

Mark Guiliana plays MARK

Percussion

Ever since the first day he picked up a pair of drumsticks, Mark Guiliana has been instinctively exploring and absorbing the music and rhythms that have been ever-present in his life. Fast forward to the present day and he has earned a formidable reputation as a world-class drummer, composer and thinker at the forefront of contemporary jazz and beyond. Guiliana’s artistry defies convention, weaving together a musical output beyond jazz with the ultimate goal of creating compelling musical narratives. Guiliana’s new album “MARK”, represents an introspective voyage into his creative depths. On the record, Mark performs solo on a wide array of devices; you can hear his quintessential grooves intermixed with intriguing percussive soundscapes, sublime tapestries of synthesisers and fragments of spoken word. “MARK” is an album that peels back the layers of Guiliana’s experiences, reflections, and the wisdom gleaned from a life immersed in music. It transcends genres and defies categorisation, floating in the boundless space of pure expression. Through music and through life, Mark looks into the mirror and asks eternal questions of identity and growth: who am I, where am I going and what do I stand for?

Zurich Jazz Orchestra playing Rob McConnell

Leitung

Altsaxophon

Tenorsaxophon

Baritone Saxophone

Trumpet

Bassposaune

Horn (Cornet)

Piano

Zurich Jazz Orchestra playing Rob McConnell 

Rob McConnell (1935–2010) was a Canadian trombonist, composer, and arranger. He is best known for founding and leading the Grammy Award-winning big band The Boss Brass from 1967 to 1999. Rob McConnell&#x27;s big band music is firmly rooted in the jazz tradition, but offers clever interpretations of well-known jazz standards, challenging ensemble passages (for the musicians) and exciting ones (for the audience), as well as plenty of space for the orchestra&#x27;s soloists. Other hallmarks of Rob McConnell&#x27;s music are the expanded instrumentation (eleven brass instruments, including two French horns) and the subtle humor that runs through all his compositions. Ed Partyka met Rob in 1989, and the two remained in contact until Rob McConnell&#x27;s death. Partyka recalls: “He was an incredibly warm and funny person, which you can also hear in his compositions. In my opinion, he was also an underrated soloist on the valve trombone, surpassed in expression and virtuosity only by Bob Brookmeyer.”

BIG ZIS & BIG HUG EXPERIENCE

E-Bass

Electronics

Synthesizer

BIG ZIS & BIG HUG EXPERIENCE

Album Release «Big Hug»

With Big Hug, the Swiss rap icon BIG ZIS is releasing a collaborative music project. Building on the previous album «B:I:G - Bitte in Gross» (2024), a new, independent but collaborative work was created in close collaboration with over 23 artists from different generations and scenes. Retrospective and visionary, the album combines rap, pop, punk, doom metal and even noise, breaking down any genre boundaries and thus making visible a polyphonic, resistant network of formative Tinfas* of the Swiss music scene. The DIY of BIG ZIS is contrasted with the Do-it-Together (DIT) of the Future. New forms of a resistant but pluralistic language for Swiss music will be tested. With orchestras and icons such as Radon, Les Reines Prochaines, Eto*, Fatima Moumouni, Ester Poly, Jessica Jurassica (and many more), the Moods stage will be stormed. It&#x27;s Takeover Time, It&#x27;s BIG HUG Time! Zurich rapper Big Zis has been shaking up the male-dominated Swiss rap game since the late 90s with her clever lyrics, funny punchlines and provocative attitude. She has recorded several albums, made an award-winning music video, performed on pretty much every Swiss stage from antifademo to high culture institutions and won the 2020 Swiss Music Prize and the 2021 Zurich Art Prize. Musically, she combines hip-hop with jazz, punk and improvisation in an eloquent yet danceable rebellion against long-outdated social norms and the patriarchal order, delivering an urgent, clever, humorous and provocative work that is unique in the Swiss music landscape.

Chip Wickham

Saxophon

Flute

Fender-Rhodes E-Piano

Chip Wickham is a crossover artist between club culture and jazz, influenced by early collaborations with The Pharcyde, Nightmares on Wax and Matthew Halsall. His music thrives on emotional clarity, playful openness and stylistic diversity - carried by flute, saxophone and a top-class ensemble from the British jazz scene. At Moods, Wickham presents his new album The Eternal Now (2025, Gondwana Records), a homage to the creative moment beyond time - a journey into new sonic spaces with borrowings from Lonnie Liston Smith or David Axelrod. Co-produced by Matthew Halsall, it is Wickham&#x27;s most experimental work to date - an album that impresses with its playfulness, emotional depth and musical breadth.

Sara El Hachimi Quintet

Composition

Keyboards

Sara El Hachimi’s music combines elements of jazz and singer-songwriter traditions and is characterized by a spirit of experimentation. Inspired by artists such as Samora Pinderhughes, Saya Gray, Esperanza Spalding, and Wayne Shorter, her work centers on expression, honesty, and reflection. The pieces process emotions and experiences through music and lyrics. With floating melodies, pulsating rhythms, and an understated groundedness, the quintet creates a warm, intimate sound that touches the listener and leaves room for discovery. The ensemble — consisting of vocals, alto and tenor saxophone, piano, synthesizer, bass, and drums — offers an authentic, poetic soundscape that seeks to heal and connect. Sara El Hachimi recognizes in music the power of communication — one that supports both ourselves and one another. Her compositions are philosophical, inviting, and never didactic, which lends them their particular authenticity. The quintet invites listeners to be present in the moment — human, aware, and close. Her music is an expression of genuineness and emotional depth that moves the audience and inspires reflection.

Andrea Kirchhofer & Irina Ungureanu

Violin

E-Gitarre

Andrea Kirchhofer

Singing violinist Andrea Kirchhofer and violin-playing singer Irina Ungureanu celebrate the premiere of their musical adventure as a duo. Keen to explore new territory and experiment with language, they create a new soundscape with two violins and two voices, Swiss German and English lyrics, and the occasional interjection of electric guitar. With a minimalist setup, the two musicians lead us into a colourful and melancholic sonic universe full of shrill miniatures, pictorial and slightly bizarre lyrics, fragments of text and an untamed variety of violin sounds. The limited range of the violins and voices calls for unusual arrangements, opening doors to rare sound worlds in the process. Irina Ungureanu, who has a background in contemporary and Romanian folk music, has recently started writing her own Swiss German songs for the duo with Anna Trauffer, &quot;Pelz&quot;, and for &quot;Bondar&quot;. Andrea Kirchhofer&#x27;s combination of voice and violin continues a path she explored until 2018 with her quartet/trio Atrium. The two musicians come together through their play with language and their experiences with musical theatre and new folk music. Since 2024, they have been performing together on stage with the Romansh and Romanian songs of the quintet SORAS.

20 Jahre Heidi Happy – die Jubliäumsshow

Mandolin

mit Büne Huber, Wallis Bird, Rebekka Lindauer und Handsome Hank

To celebrate her anniversary, Heidi Happy has written a song with each of her twenty most inspiring encounters from the past twenty years. And at Moods Heidi Happy will be presenting her resulting album “20”, which will be released on February 6, 2026, with some illustrious guests! Büne Huber, Wallis Bird, Rebekka Lindauer, and Handsome Hank will join Heidi to take a look back onto her musical career to date. Folky singer-songwriter ballads, spherically dreamy hippie worlds and synth-pop with French charm - it&#x27;s all there. Sometimes very calm and unagitated, sometimes so moving that it&#x27;s hard not to dance along or howl with emotion.

The lower floor of the club is at ground level and accessible without steps. There is one accessible bathroom which can be used with a Eurokey. The bar is not accessible and is approximately 1.20 metres high.
Sensory stimuli: Most concerts are accompanied by moving lights and smoke.
For sold-out or well-attended concerts, it is worth arriving early.

Are you unable to stand for a long time or do you need other support for your visit? Then get in touch by email or phone: info@moods.ch or 044 276 80 00.

Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".

Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot).
Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.

Marc Ribot Solo - Show 1

Manou Gallo

The path of the energetic bassist, drummer and singer led from the small town of Divo on the Ivory Coast to the biggest stages in the world. None other than the bass legend Bootsy Collins paved the way for Manou Gallo to be named one of the “Top 10 World Best Bass Players”! Gallo is pure power on the bass, mixing jazz, funk, groove, and Afro beat. Once you’ve experienced her, you immediately recognize her uniqueness: In her hands, the bass sometimes becomes a percussion element, driving the groove to fascinating heights. It’s no wonder Bootsy Collins calls her the “African Queen of Bass”. Other giants like Manu Dibango, Mamady Keita, Wyclef Jean, Marcus Miller, and Lucas van Meerwijk have also taken notice of her and shared stages with her. Proud of her African roots, Gallo says she has the musical freedom to play anything. And it’s precisely this freedom that you’ll find on stage: an explosive mixture of funk, jazz, Afro-Cuban rhythms, and confident Afro grooves. With her technique and her music, Manou Gallo impressively proves that she is one of the best bassists in the world.

Greg Foat

He is a jazz pianist, composer, music producer - and a fixture on the London jazz scene: Greg Foat. In his pieces, Foat mixes jazz and ambient with electronic influences, creating unique soundscapes that invite immersion and exploration. Greg Foat is an innovator, always pushing the boundaries of his music. He recently collaborated with Venetian electro legend Gigi Masin on the critically acclaimed «Dolphin». His creativity knows no bounds. His live releases are proof of this. On «Live at Can Rudayla, Ibiza», for example, he fuses analogue synthesizers with ambient house and space jazz, while on «Live at Villa Maximus, Mykonos», he combines more cosmic jazz sounds with psychedelic elements. Foat will perform at Moods with the living groove machine Moses Boyd. The young jazz drummer, who turns 34 this year, has been described by the Guardian as the poster boy of London&#x27;s jazz revival.

Bassekou Kouyaté & Amy Sacko

Ngoni

He is “a genius and living proof that the blues comes from Mali,” says Taj Mahal about his colleague Bassekou Kouyaté. He is the undisputed master of the ngoni (traditional West African long necked spit lute), which he has made internationally known by adding additional strings and using effects devices. With his extraordinary dexterity, he creates soundscapes that lie somewhere between blues, jazz and traditional Malian music. In his traditional Griotprogram “Folo Djelia” he reinterprets his parents&#x27; music and is accompanied by his wife, the fantastic singer Amy Sacko. A concert with a chamber music character that gets under your skin.

Bruno Spoerri: The Electronic Side

Synthophone

Both Sides Now

This year Bruno Spoerri is celebrating his 70th stage anniversary in Zurich - in 1954 he was awarded first prize at the Zurich Jazz Festival. The concert on November 12th will show two sides of his work; the first part with an acoustic jazz group, the second with technoid electronics. Piet Jan Blauw began his career as a visual artist, while also working as a percussionist. Early on he made objects and then began to build electronic instruments and art installations. Numerous installations and performances in Europe, the USA and Mexico followed. His performances are both auditory and visual experiences. Gabriel Schiltknecht is a percussionist with heart and soul. His musical career began with the formation SCHILDPATT. After training as a primary school teacher, he taught at the Swiss School in Accra/Ghana, played with important local musicians and acquired a wide-ranging knowledge of the drumming tradition.

Jasmine Myra

Clarinet

Harp

Jasmine Myra is a saxophonist, composer and bandleader from Leeds and is part of the city&#x27;s vibrant, creative and cross-genre music scene, which is bursting with young talent. Her euphoric and uplifting sound draws influences from Bonobo, Ólafur Arnalds and Kenny Wheeler, artists whose music shares an emotive quality that you can also hear in Myra’s own compositions. This concert recording was made with the support of Migros Culture Percentage.

La Sonora Mazurén

Accordion

La Sonora Mazurén are the latest representatives of Bogotá&#x27;s lively alternative music scene. The seven musicians are influenced by traditional rhythms and sounds from Ecuador, Colombia and Peru and enrich them with synths and electric guitar. This is how they have developed their very own sound, which can be described as trippy cumbia, psychedelic chicha or African fuzz. A must for lovers of bands like the Meridian Brothers and for anyone curious to discover the new Tropsychedelica sound of Colombia. Supported by the SüdKulturFonds.

BCUC

Congas

Bass Drum

Moods & On The Corner Records present

BCUC stands for Bantu Continua Uhuru Consciousness. Their music is made up of indigenous funk, hip-hop and punk energy. But instead of trying to classify and analyze the music, you should simply visit a live show: An absolute stunner! In recent years, BCUC has played with legends such as Femi Kuti and Saul Williams, fascinated audiences at the most important European festivals (Glastonbury, Roskilde, Womad, Fusion, Sziget and many more) and also won the prestigious Womex Artist Award. And should anyone still have any doubts as to whether it&#x27;s worth it: “without a doubt the best live act I saw” - Gilles Peterson “Loved their set, it was one of my highlights of a great weekend” - Nick Dewey, Glastonbury Festival “guaranteed to touch untapped corners of your soul” - Okayafrica “the most impressive newcomers this year” - The Guardian It all started in a shipping container in Soweto, South Africa, where the band members of BCUC met. The shipping container was converted into a community restaurant and stands next to the church where Desmond Tutu organized the escape of the most wanted anti-apartheid activists. This historical background is echoed in BCUC&#x27;s music: Their music is a hedonistic trance, but also as a weapon for political and spiritual liberation. The concert ticket is also valid for the party afterwards.

Yarima Blanco Y Son Latino

Tres

Yarima Blanco is an outstanding Tres Cubano player and one of the few outside of Cuba to master this unique three-stringed instrument. With her own septet, Son Latino, she combines various Cuban styles with Latin American influences. Her electrifying performances showcase not only her impressive technique on the tres, but also her powerful voice and charisma. Blanco perfected her skills during several years of study in Cuba and quickly became a sought-after artist, also making waves on the international jazz scene with the orchestra ANACAONA. Pancho Amat, international master of the tres cubanos, describes Blanco&#x27;s talent as exceptional. This concert recording was made with the support of Migros Culture Percentage.

Justina Lee Brown

Although the hearty and highly talented Nigerian singer Justina Lee Brown and her band have been thrilling audiences at all blues challenges for years, the blues is only one facet of her music. African and Caribbean influences, gospel, soul and R&#x27;n&#x27;B are also at the heart of her charismatic performances, in which she impresses as an energetic performer with a phenomenal voice. In her native Lagos, Justina Ogunlolu faced the tough struggle for survival as a street kid and fought her way through to the big stages of Europe with perseverance and stamina. After a few performances in Switzerland, Justina and Nic Niedermann crossed paths. The guitarist, composer and producer has been one of the driving forces in the Swiss blues scene for years. Nic becomes the new bandleader and puts together a top-class band for Justina. Justina Lee Brown finally gets the long-awaited opportunity to record her own songs, which she draws from a huge pool of intensive experience, and to realize them for her brilliant stage performances. This concert recording was made with the support of Migros Culture Percentage.

Lilly Martin

«Minetta»

Powerful big-city Blues, a rough voice and an intimate charm - this is what Lilly Martin and her band stand for. Thanks to her apperances with Philipp Fankhauser, Michael Bublé, Ellis Hall and Polo Hofer, for a long time she has not only been a name only on the Soul scene. Lilly, whos has settled in Switzerland, also drew attention to herself as a Vocal Coach in Swiss television. The new album «Minetta» clearly illustrates why the this woman from New York with Cuban roots acquired international recognition so quickly: she sings Blues with passion, Soul with sensuousness. The songs are influenced by personal stories from her urban background in Minetta Street, New York, where she grew up.

Summer Pearl

From her hometown of London, singer Summer Pearl is currently taking the music world by storm. Her sound of jazz, soul, hip-hop and dub, is reminiscent of the one of the great Erykah Badu, both powerful and touching at the same time. Summer Pearl herself describes it as &quot;a meditation on my past and a reflection of our present. It is both a personal and political message exploring black and female liberation and love gained and love lost.&quot;

Irina Ungureanu

Zither

Glass Harp

Irina Ungureanu 

«Lieder aus dem Schneckenhaus» feat. Anna Trauffer

A double premiere! Irina Ungureanu and Anna Trauffer will be on stage together for the first time. And: Irina Ungureanu will also perform her own songs in Swiss German for the first time. But Romanian folk songs from her childhood will also find a place in the programme. The two musicians will accompany each other with a multi-instrumental setup ranging from violin and zither to piano and various objects. You can look forward to a poetic, thoughtful, smiling and sometimes bizarre evening of words, sounds and songs.

Aly Keita Trio

The swirling Balafon playing of Aly Keita is a spectacle, the sticks seem to dance over the keys. Born into a musical family, since childhood Aly Keita has built and played his own instruments and has played as sideman with the best: Omar Sosa, Joe Zawinul, Rhoda Scott, Paco Séry, Karim Ziad, Pharoah Sanders, Paolo Fresu and many more. Today Aly Keita lives in Berlin, where he became acquainted with the Dutch drummer Marcel van Cleef and the Italian bassist Roberto Badoglio. In their music they wander between spectacular African rhythms, polyphony and elements of jazz, and blend these into a wonderful and unique sound.

SOYUZ (СОЮЗ)

SOYUZ is a creative collective from Minsk, Belarus, that combines the rich sounds of classical Brazilian music with a modern, global perspective. ‘Force of the Wind’, the third album of the trio consisting of Alex Chumak, Mikita Arlou and Anton Nemahai, builds unexpected bridges between the Música Popular Brasileira of the 70s and today&#x27;s Belarus. With a mixture of Russian and Portuguese lyrics, cosy-warm sounds and jazzy-groovy beats, SOYUZ create emotional compositions and wonderful, nostalgic moments that transcend language.

Yasmine Hamdan

She is quite simply the underground icon of Arabic pop! The Lebanese songstress, songwriter and actress Yasmine Hamdan (Soapkills) effortlessly combines Western electropop with traditional Arabic sounds. Her second album «Al Jamilat» (2017) sounds like a journey through the different cultures. With her soft, yet clear voice, the world citizen blends Arabic texts with modern electrobeats, desert blues guitar riffs and Greek Bouzouki sounds. A songstress that can give you goosebumps. Supported by SüdKulturFonds

Zurich Jazz Orchestra feat. Thomas Gansch

Musikalische Leitung

Trompete

Posaune

Tuba

Gitarre

Schlagzeug

Die langjährige und sehr fruchtbare Partnerschaft zwischen Thomas Gansch und dem Zurich Jazz Orchestra wird auch dieses Jahr fortgesetzt. Neben Repertoire aus der Vergangenheit wird es auch neue Arrangements geben, die von Ed Partyka speziell für dieses Konzert geschrieben wurden und die Thomas Gansch als Komponisten und Multi-Instrumental-Solisten, aber auch als liebenswürdiges ‹Enfant terrible› präsentieren. Sicher ist, dass die wunderbaren Musiker*innen des ZJO für einige musikalische Überraschungen sorgen werden. Sicher ist auch: Band und Publikum werden einen unvergesslichen Abend erleben.

Elina Duni Trio feat. Rabih Abou-Khalil

Gesang

Flügelhorn

Jurykonzert

Die 1981 als Tochter einer Schriftstellerin und eines Regisseurs in der albanischen Hauptstadt Tirana geborene Elina Duni stand im Alter von nur funf Jahren erstmals auf einer Bühne. Seit ihren ersten musikalischen Schritten in Radio und Fernsehen hat sich viel getan: Heute ist Elina Duni ECM-Künstlerin und seit 2017 Preisträgerin des Schweizer Musikpreises. In diesem ZKB Jazzpreis Special trifft der Oud-Virtuose Rabih Abou-Khalil auf das Elina Duni Trio mit Marc Méan und Matthieu Michel. Eine einmalige Konstellation, die wohl so einige goldene Momente mit sich bringen wird. Das Konzert fand im Rahmen des ZKB Jazzpreis statt.

Zurich Jazz Orchestra Funk Night

Joseph Bowie’s Big Band Funk - The Legendary Music of Defunkt

Joseph Bowie ist der Bruder des Big-Band-Musikers Byron Bowie und des Mitbegründers des Art Ensemble of Chicago, Lester Bowie. Joe selbst gründete 1978 die Punk-Funk-Jazz-Gruppe «Defunkt». Die Band veröffentlichte in den 1980er Jahren mehrere genreübergreifende Alben, und ihre Musik wurde als «einer der abenteuerlichsten Sounds des letzten Viertels des 20 Jahrhunderts» bezeichnet. In den letzten 20 Jahren hat Joe Bowie auch daran gearbeitet, diese Musik für Big Band zu adaptieren. Einer der Arrangeure, mit denen Joe seit 2011 zusammenarbeitet, ist Ed Partyka. Das ZJO freut sich auf einen energiegeladenen Abend mit tanzbaren Hits aus der langen Geschichte von «Defunkt».

Orchestra Baobab

Timbales

Moods Summer Special

Letztes Jahr feierte das Orchestra Baobab, eine der grössten Bands Afrikas, ihr 50-jähriges Bestehen. Ihre Geschichte beginnt im Herzen der Medina von Dakar im Senegal der späten 1960er Jahren und erstreckt sich über die ganze Welt und bis ins 21. Jahrhundert. Die Gruppe aus Sängern und Musikern vom ganzen Kontinent spielen eine Mischung aus afro-und lateinamerikanischen Stilen, internationalem Pop und traditioneller Griot-Musik. Nach dem ausverkauften Konzert vom letzten Jahr kehrt die Band diesen August zurück ins Moods. Vor und nach dem Konzert werden die beiden DJs Afreekaya &amp; Voilà Tim auflegen.

Schmidi Schmidhauser & The Hasta Luegos

Akkordeon

Abschiedskonzert

Welch ein Glück: Frau Schmidhauser ersteht eine Gitarre, findet jedoch nicht genug Zeit, um zu üben. Also übereignet sie das Instrument ihren Buben. Beat und Jürg machen nicht lange Federlesens und rocken los. Einige Zeit danach spielt Beat, inzwischen zum Schmidi gereift, mit 14 Jahren seinen ersten Gig. Heute, rund 1500 Konzerte und 46 Jährchen später, beglückt uns Schmidi zum letzten Mal live, denn – und zu unserem Bedauern – «es ist genug des Guten.» Er will sich fortan Dingen widmen, die in all den Jahren zu kurz gekommen sind und somit zwar nicht kürzertreten, aber breiter wirken. Unbeschreibliches hat Schmidi auf tausendundeiner Bühne erlebt, unterwegs mit «Stop the Shoppers», «HOT DC», «Los Hobos», «Chica Torpedo», «Traktorkestar», «Oso loco», mit Polo, Kuno, Endo, Büne, Sina, Lo &amp; Leduc – und immer wieder mit Jürg/Jiri, dem geliebten Brüetsch. Also dann: Bühne frei! Vor unseren Augen und Ohren schaltet Schmidi seinen Modus um: vom Künstlerleben zum Lebenskünstler.

Evelinn Trouble Orchestra

Violine

Bratsche

Cello

Evelinn Trouble

Ein Jahr nachdem ihr fünftes Studioalbum Album «Longing Fever» den ‹Indie Suisse Album Of The Year Award› abgeräumt hat, ist Evelinn Trouble mit ihrer Band wieder auf Tour. Evelinn Trouble, bekannt für ihre kreative Rastlosigkeit, ihre virtuose Stimme und ihr eigenwilliges Songwriting hat ihrer Diskografie mit «Longing Fever» ein aufregendes Pop-Werk hinzugefügt – ein Bruch mit ihrer Psychedelic-Ära und trotzdem unverkennbar Trouble. Ein spannendes Album, das Höhen und Tiefen mit Inbrunst durchläuft und von beatlesken Liebesliedern zu euphorischen Melodien reicht, die von verzerrtem Hip-Hop getragen werden. Unerwartet gesellen sich neu Klänge von Streichinstrumenten zum sonst dunklen Klanguniversum der Zürcher Sängerin: Ein Streichtrio erweitert die Band zum «Evelinn Trouble Orchestra». Diese Konzertaufnahme entstand mit Unterstützung des Migros-Kulturprozent.

Alina Amuri + Special Guests

Flöte

Perkussion

Sousaphon

Album Release im Moods

Alina Amuris Plattentaufe findet im Rahmen des Schiffbaufestes statt. Das Konzert ist gratis, wir bitten unsere Gäste aber über den Ticketlink einen Platz zu reservieren, um garantierten Einlass zu haben. Mit unterschiedlichen kulturellen Einflüssen sowie einer lebendigen und mutigen Botschaft gelingt es Alina Amuri, magische musikalische Momente zu kreieren. Die in der DR Kongo Kinshasa geborene und in der Schweiz aufgewachsene Sängerin und Multi-Instrumentalistin hat in den letzten zehn Jahren ihren eigenen, hausgemachten Stil zwischen Afro, Neo Soul und Trip Hop entwickelt. Eine unvergessliche Stimme trifft auf kongolesische Perkussionsfreude und überraschende Flöteneinlagen und setzt Kräfte frei, bei denen der Optimismus zurückkehrt und das Tanzen unausweichlich wird. Ein Sound, der ein neues Gefühl der Zusammengehörigkeit schafft und das Versprechen, dass alles gut werden wird. Alina Amuri verbindet in ihrer Musik Einflüsse aus Lauryn Hill, Nina Simone und Alicia Keys mit einem frischen, lebendigen Twist. Alina wurde schon für SRF 3 Best Talent ausgewählt, war schon für den wichtigsten Schweizer Musikpreis nominiert (Swiss Music Awards) und gewann mit ihrem letzten Album (Chasing Traces) den Swiss Live Talent Award. An diesem Konzert wird Alina Amuri ihr nächstes Studioalbum «Back To You» vorstellen. Es ist die bisher persönlichste Platte und erzählt von ihrer Reise zurück in ihre Geburtsstadt Kinshasa, zurück zu ihren familiären Wurzeln.

Aus ihrer Heimatstadt London heraus erobert die Sängerin Summer Pearl zur Zeit die Musikwelt im Sturm. Ihr Sound aus Jazz, Soul, Hip-Hop und Dub, der an diejenigen der grossen Eryka Badu erinnert, ist mächtig und zugleich berührend. Summer Pearl beschreibt ihn als «eine Meditation über meine Vergangenheit und eine Reflexion über unsere Gegenwart. Sie ist sowohl eine persönliche als auch eine politische Botschaft, die sich mit der schwarzen und weiblichen Befreiung sowie mit gewonnener und verlorener Liebe beschäftigt.»

Yarima Blanco ist eine herausragende Tres-Cubano-Spielerin und eine der wenigen ausserhalb Kubas, die dieses einzigartige dreisaitige Instrument beherrschen. Mit ihrem eigenen Septett Son Latino verbindet sie verschiedene kubanische Stile mit lateinamerikanischen Einflüssen. Ihre mitreissenden Auftritte zeigen nicht nur ihre beeindruckende Technik auf der Tres, sondern auch ihre starke Stimme und ihr Charisma. Blanco perfektionierte ihr Können während eines mehrjährigen Studiums in Kuba und avancierte schnell zu einer gefragten Künstlerin, die auch mit dem Orchester ANACAONA in der internationalen Jazzszene für Aufsehen sorgte. Pancho Amat, internationaler Meister des Tres Cubanos, beschreibt Blancos Talent als aussergewöhnlich.

OORT CLOUD

Finale

OORT CLOUD concentrates on the expansion of the classical guitar trio sound and discover new, unconventional ways of interaction, composition and improvisation. The instrumentation loses its typical role models through the experimentation with preparations, electronic effects, playing techniques, together with sophisticated concepts for composotion and improvisation. The concert took place as part of the ZKB Jazz Prize.

Bergerausch

Shake Stew

With A Shake Stew, Austria&#x27;s Jazz band of the hour, much is extraordinary. Starting with the line-up: two drummers, two bass players, two saxophones, a trumpet. Quasi two trios plus one. Their comet-like ascendance is also without parallel: a sold-out debut album, a closely-watched collaboration with Shabaka Hutchings and performances at all the renowned Jazz festivals from Frankfurt to Montreal, from Istanbul to Mexico, speak for themselves. And then there&#x27;s that sound: driving rhythms, the horns sometimes blaring, sometimes virtuoso, sometimes melodious, borrowings from Afrobeats, Funk and Swing. Music that reveals a hypnotic spell, one wants to soak up every note, to dance, to shake oneself and hope that it will never stop.

Kush K

District Five

Live Elektronic

Mara Micciche aka IOKOI vertont «Häxan»

«Streamed concert only, no audience»

Erika Stucky – STUCKY FINGERS

Film Projection

&quot;Sticky Fingers&quot; is widely regarded as one of the Rolling Stones&#x27; finest albums. According to Rolling Stone magazine, it ranks 64th among the 500 greatest albums. However, that doesn&#x27;t mean it can&#x27;t be improved upon. Certainly differently, though. That brings us to our point: if you slip slightly on the keyboard, &quot;Sticky&quot; becomes &quot;Stucky.&quot; Erika Stucky dares to try this in her new program. Stucky is known for her cover versions. She delves into the essence of a song, tinkering not only with its structure but also its soul. With her unmistakable voice, humor, and poetic subversion, Stucky sheds new light on the legendary album. She weaves jazz interludes, cabaret charm, and a hint of rock aesthetics into a kaleidoscopic, cinematic stage production. In this project, Stucky is joined by two renowned English musicians: Terry Edwards and Paul Cuddeford. Edwards plays the saxophone, trumpet, bass, and melodica and gained musical experience with Madness, Tindersticks, and Nick Cave, to name a few. Guitarist Paul Cuddeford&#x27;s musical résumé is equally impressive. He has played with the crème de la crème of the British music scene, including Bob Geldof and Sir Tom Jones. Together, they will breathe new life into hits such as &quot;Brown Sugar&quot; and bring &quot;Stucky Fingers&quot; to life.

Zurich Jazz Orchestra feat. Melissa Aldana

At the end of the year, the Zurich Jazz Orchestra presents the Grammy-nominated Blue Note artist Melissa Aldana - one of the most innovative and independent jazz musicians on the international scene. Born in Santiago de Chile, the saxophonist comes from a family of musicians: her father and grandfather were both saxophonists. She began playing the saxophone at the age of six under her father&#x27;s guidance. Initially influenced by Charlie Parker and Cannonball Adderley on the alto saxophone, she switched to the tenor saxophone after hearing Sonny Rollins. As a teenager, she played in jazz clubs in Santiago and was invited by pianist Danilo Pérez to perform at the Panama Jazz Festival in 2005. She later moved to the USA to study at Berklee College of Music. She released her debut album &quot;Free Fall“ in 2010. At the age of just 24, she was the first instrumentalist and first South American musician to win the prestigious Thelonious Monk International Jazz Saxophone Competition. The Washington Post praised her as representing a new sense of possibility and a new direction in jazz. Her album Visions (2019) earned her a Grammy nomination in the Best Improvised Jazz Solo category. Nate Chinen (NPR Music) called it one of the best jazz albums of the year and praised Aldana&#x27;s ability to combine technical brilliance with a rich emotional palette. The concert program she is presenting with the Zurich Jazz Orchestra at Moods was written entirely by her. One part was arranged by Jim McNeely for the HR Big Band, the other by Ed Partyka especially for the ZJO and its soloists.

Muriel Grossmann Quartet

Hammond organ

Album Release «Breakthrough»

Muriel Grossmann is considered a master of spiritual jazz and has created impressive works with albums such as Devotion (Third Man Records, 2023) and The Light Of the Mind (RR Gems Records, 2024). The Ibiza-based multi-instrumentalist interweaves modal jazz in the tradition of John Coltrane with spiritual post-bop, free improvisation and sonic depth. Her compositions are tailor-made for her fellow musicians and impressively showcase their individual strengths. Grossmann creates a dense, meditative atmosphere on stage, as can be heard most recently on the live album MGQ live at King Georg, Cologne. At Moods, the quartet will present their latest album Breaktrough, which will be released at the end of September 2025 - and prove that they play even more vividly live than in the studio.

Patrick Sommer Sextet – Rhythm Creature

Sopransaxophon

Guembri

Patrick Sommer

With Rhythm Creature, Patrick Sommer has created an ensemble that behaves like a pulsating organism. The band as a creature is only marginally tamed and indulges its instincts with relish. The musical ideas for this mostly originate from Patrick Sommer&#x27;s preoccupation with the Moroccan guembri, a lute-like, three-stringed instrument from the Western Sahara. The resulting creative output has also had a lasting influence on his approach to his other bass instruments, rhythms, and phrasing. The resulting pieces are characterised by interwoven rhythms, intense moods and captivating melodies. The band members are all groove specialists: Patrick has been working closely with guitarist Michael Bucher for countless years, and he has been playing in various formations with drummer Kaspar Rast, keyboardist Peter Wagner, saxophonist Dave Feusi and percussionist David Stauffacher for almost as long. Rhythm Creature now breathes life into these pieces and releases them into the wild.

Monobloco

Cavaquinho

Snare Drum

Tamburin

Surdo

Adalu & Moods present

How many stories can you fit into 25 years? In the case of Monobloco, the answer is: infinitely. For more than two decades, the band has been synonymous with excessive celebrations, intense encounters and passion. The anniversary is being celebrated under the motto Nossa História De Amor (Our Love Story). Monobloco has always been a great celebration of love: friendships formed during rehearsals, marriages made to the sound of the tambourine and children growing up to the rhythm of the batucada. Their current repertoire includes classics such as Taj Mahal, Fio Maravilha, Explode Coração as well as new hits from the pen of the famous Jorge Aragão (for example Vou Festejar, Identidade and Coisinha do Pai). Of course, the percussive essence that transcends rhythms and styles remains, delighting fans worldwide.

MKZ Big Band Summit

Big Band Summit 2025 Once again: “Three Bands — One Event!” Every three years, Moods hosts the spectacular summit meeting of three big bands. The matinee will open with the Big Band MKZ under the direction of Zurich saxophonist Christoph Irniger. Next up, the SJMUZ BigBand, led by trombonist Lukas Reinert, will take to the already fired-up stage. For the third set, the two bandleaders will join 14 fellow teachers from the Zurich Music School and Conservatory (MKZ) as performers in the teachers@mkz.big.band , under the direction of pianist Andreas Christoph Szalatnay. The three ensembles present a wide stylistic range of compositions and arrangements, captivating the audience with their shared passion for orchestral jazz.

Den Dala

Album Release «Say Hi to the Storks»

When you think of storks, you quickly think of offspring and new beginnings. They also flutter into Moods with Zurich band Den Dala for a record launch when they present their new album ‘Say Hi to the Storks’. Den Dala remains true to their roots. In their songs, they blend jazz, indie and psychedelic rock into a groovy mixture that makes it nearly impossible to stand still. The band is not alone - Junes, Rye (Chestnut Bakery) and Tim Bond, who are also featured on the album, will also be taking part. Not only can you say hi to the storks, but also do something good for them with your ticket. You have the option of making a donation to the Swiss Stork Society with your purchase. And a real record launch always includes a bit of mischief. What do a razor, the guitarist and 200 sold tickets have in common? You&#x27;ll find out at the concert.

Gansch & Roses

Flugelhorn

50 Jahre Thomas Gansch Anniversary Band

Thomas Gansch needs little introduction. The Austrian trumpeter, composer and mastermind behind Mnozil Brass has already graced Moods several times - and he loved it. So much so that he is playing one of his only four shows with Gansch &amp; Roses here for his 50th birthday - the only one outside Austria and at his own request. He gave himself a birthday present: a band that will make you go into raptures. Greats such as Randy Brecker, James Morrison, Peter Erskine and Wolfgang Puschnig pay their respects to Gansch and play together with Michael Hornek, Albert Wieder, Florian Trübsbach, Fabian Rucker, Robert Hedemann - and of course the birthday boy himself. This concert was made possible in cooperation with JAM MUSIC LAB University. Thomas Gansch is professor, Peter Erskine and Randy Brecker are guest artists at JAM University. The concert is sold out; there will be no box office sales.

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Marc Ribot Solo - Show 1

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