Alle

Electronic / Party

Experimental

Global Sounds

Jazz

Jazz Experimental

Jazz Modern Creative

Pop / Rock / Singer / Songwriter

Rap / R'n'B

Rap / R'n'B / Brass

Soul / Blues / Funk

20230705_Minyo_Crusaders

Boubacar Traoré

Guitar

Mundharmonika

Percussion

In the early years of Mali&#x27;s independence, 20-year-old Boubacar Traoré picked up an electric guitar and shaped the sound of the young state. But with the military coup in 1968, his songs were banned from the radio and Traoré had to support his family as a farmer and small trader. In the late 1980s, however, his comeback was abruptly interrupted once again by the death of his wife. Traoré went to Paris and made a living as a construction worker. Finally, in 1990, he re-emerged as a musician and recorded six albums in short intervals. Very soon, Vincent Bucher&#x27;s harmonica became the sonic alter ego of Traoré&#x27;s voice and guitar playing. Since the turn of the millennium at the latest, he has been celebrated as one of the great fathers and ambassadors of modern Mandingo music, combining characteristic playing techniques and ideas from West Africa with the philosophy of the blues from the southern United States.

Masterclass mit Ida Nielsen

Bass

kostenlos

This Masterclass was originally announced for October 13, 2023. Ida Nielsen&#x27;s life was turned upside down when she joined music legend Prince in 2010 and started touring with The New Power Generation and the 4-piece powerhouse rock band 3rdeyegirl. But it wouldn&#x27;t do justice to Ida Nielsen&#x27;s musicality to reduce it only to this time, because she has not only been playing in many different formations for years, but is also on the road with her own project. On her sixth solo album, More Sauce, Please! the songwriter and bandleader visibly influenced by her musical background combines funky beats, slap-bass virtuosity, lively rap and pop earworms. What fascinates the bass virtuoso about funk? How did she get her own signature instrument, a 4-string Sandberg California electric bass? This masterclass gives musicians and music enthusiasts alike the opportunity to ask Ida Nielsen all the questions that are burning on the tip of their tongue. The conversation will then evolve from the composition of the participants. No registration required.

Zurich Jazz Orchestra feat. Cinzia Catania

Director

Vocals

Saxophon

Trumpet

Trombone

Flugelhorn

Tuba

Piano

Drum Kit

«Vocal Artistry Series»

The voice of the young Swiss singer and composer Cinzia Catania is unique - crystal clear and yet warm and soft. Light as a feather and with rhythmic precision she sings Bossa Nova and Swing. Due to her versatility and vocal flexibility, she is active in numerous national and international projects of different styles: from jazz, Latin, world, pop and electronic music to Swiss folk music. Cinzia studied jazz composition in Lucerne with Ed Partyka and has established herself as one of the most interesting composers of music for jazz orchestras of her generation.

Linda & Lukas Vogel

Harp

Synthesizer

Linda Vogel

Hardly any other classical instrument still has as many clichés attached to it as the harp: It is supposed to sound sensual, harmonious, fragile, even ethereal. Swiss musician Linda Vogel already showed that the harp can also elicit completely different sounds with her debut album Maps to Others, released in 2019, on which she used effects devices and computer-controlled hammers to make the instrument sound sometimes like a guitar, sometimes like a synthesizer in experimental pop songs. Together with her brother Lukas Vogel, part of the internationally successful piano-electronica duo Grandbrothers, things are now much heavier, darker, more industrial. Between fragmented beats, distorted violin-like sounds and cutting-metallic spectra, the typical harp arpeggios flash out only briefly, only to be immediately alienated again and absorbed into the duo&#x27;s shimmering-electronic overall sound. Lukas Vogel operates synthesizers, effects and at the same time is able to make the strings of the harp vibrate electromagnetically via an apparatus. Electronic and acoustic, mechanical and organic, strings and oscillators merge irrevocably here - always carried by a third instrument that pervades the songs: Linda Vogel&#x27;s voice, dark, repetitive, hypnotic.

Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".

Everyone should have the opportunity to participate in the events at Moods. 

Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot).
Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.

Minyo Crusaders

Keyboards

Bongos

Congas

Timbales

Moods Summer Special

What have almost forgotten Japanese folk songs got to do with a cumbia beat? The answer is Minyo Crusaders! The ten-piece collective reworks traditional Japanese folk songs called Min&#x27;yō with Latin music such as cumbia, Ethiopian jazz, Thai pop, Afro-funk and reggae. The result sounds a little crazy, but is absolutely brilliant in a great way. Minyo Crusaders are the most infectious and hottest global beat party since Buena Vista Social Club. Anyway, the punchy and inventive arrangements breathe new life into the old Japanese min&#x27;yō, which are also traditional workers&#x27; songs.

Asmâa Hamzaoui & Bnat Timbouktou

Qraqeb

Asmâa Hamzaoui and Bnat Timbouktou (the daughters of Timbuktu) represent a new generation of young women Gnawa performers, breaking new ground in a traditionally patriarchal realm. Asmâa Hamzaoui assimilated the Gnawa musical tradition from a young age through her father, renowned musician Rachid Hamzaoui, learning to play the guembri (three-string lute) from an early age and later accompanying him at celebrations. She formed Bnat Timbuktu in 2012, gradually winning over audiences, until their breakthrough invitation to the Gnaoua Festival of Essaouira in 2017. Their taboo-busting performance, and jamming with Fatoumata Diawara, won them invitations to major festivals in Europe and the USA, even without a recording to their name. Asmâa still comes up against opposition from some Gnawa traditionalists but as she says: “They can talk, but here I am working and they’re just talking.”

Julian Lage Trio

The jazz guitarist Julian Lage is an exceptional talent: as an eight-year-old he already started playing with musicians such as Carlos Santana, Pat Metheny, Kenny Werner, Toots Thielemans, Gary Burton and many more. His uncramped, easy-going and readily accessible jazz understanding generated much attention for his works and he was rewarded with Grammy nominations. Although recognised as a virtuoso, Lage&#x27;s ability is never presented as a show of his spectacular technique. More important to him is the emotional content of his music. An exceptional talent indeed. For the evening he will be accompanied by bassist Jorge Roeder and drummer Kenney Wollesen. Together they will further develop a blend of Jazz-Fusion, Blues and Rock’n’Roll. For admission, all guests need a valid Covid certificate from Switzerland or EU (QR code) for vaccinated, tested or recovered persons and an official ID card (ID, passport or driver&#x27;s license). The detailed admission rules are listed here: https://www.moods.club/en/program/admission-rules-covid/

Judith Hill

Judith Hill has already worked together with world stars such as Robbie Williams, Stevie Wonder and Elton John and became famous overnight when she sang «Heal The World» at the funeral of Michael Jackson – over 2 billion people watched on television. She appeared in the Oscar-winning documentary film «20 Feet From Stardom», generated a storm of enthusiasm in The Voice in the USA and the Rolling Stone Magazine praised her for her «outstanding powerhouse vocals». Her debut album «Back in Time» (2015) was produced by no-one less than Prince. Following a sensational show in Moods in 2019 to present her second album, «Golden Child», she now returns and brings along a new work: «Baby, I&#x27;m Hollywood!». We look forward to crisp, groovy Funk, Soul, R&#x27;n&#x27;B, to Jazzy ballads, to Judith&#x27;s impressive, distinctive voice and her great piano and guitar playing. For admission, all guests need a valid Covid certificate from Switzerland or EU (QR code) for vaccinated, tested or recovered persons and an official ID card (ID, passport or driver&#x27;s license). The detailed admission rules are listed here: https://www.moods.club/en/program/admission-rules-covid/

Jaimie Branch

«FLY OR DIE»

Jaimie Branch has already contributed to a broad palette of projects, not only in Jazz, but also in Punk, Noise, Indie-Rock and Hip-Hop. Rather less well known, yet equally enchanting, is her work as composer and producer. These can first be discovered on her debut album «Fly or Die»: a 35-minute ride through all sorts of musical genres that knows no boundaries - always held together by the spooky sounds that she extracts from her trumpet.

Mark Guiliana's Beat Music

The magazine JazzTimes raves “One of the most influential drummers of his generation”. The talk is about Mark Guiliana who is known in particular for his rhythmic finesse, his imaginative playing and unmistakable sound. Spring 2019 sees the release of a new album with his band Beat Music, on which the drummer fuses the power of jazz improvisation with the discipline of electronic music. Hard grooves without compromise are overlayered with atmospheric sounds, raw effects and spoken texts.

Stiller Has

Every Easter Moods welcomes Stiller Has to Moods. Such wonderful traditions must be preserved, therefore the band again brings to the stage their album «Endosaurusrex», released in 2017. Inspired by fairy tales in the style of Brothers Grimm, Endo Anaconda holds a distortion mirror up to the community. In his bitter-sweet dialect verses, Hans has depression in happiness, Bambi is into sadomaso, and even the devil has to go for therapy. The Wishing Table makes him sick and the land of plenty comes only with a gastric band. And along the way, Endo dissects our small world, on the search for the last paradise «where it&#x27;s not so uptight as here».

Kala Jula – Samba Diabaté & Vincent Zanetti

Violin

Kala Jula brings together Samba Diabaté, one of Bamako&#x27;s most popular guitarists, with multi-instrumentalist and Djembe master, Vincent Zanetti. The Swiss-Mali duo newly interprets the music of the Mandingo tradition through blending of West African sounds with blues and jazz. In their current project, «Mande Kulu», the two musicians collaborate with violinist Jacky Molar and bassist Hélène Labarrière from France. Together, the four take the audience on a musical journey through the Nomadic culture of African countries. Supported by SüdKulturFonds

Mohamed Abozekry «Karkade»

He juggles with the traditional musical styles of his North African homeland, the creativity of jazz with the power of rock music: the Egyptian Oud player, Mohamed Abozekry, who these days lives in France. The traditional Arabesque sounds of the Oriental lute meet up with Flamenco and South American influences. Abozekry learnt to play the Oud from an early age with the famous Naseer Shamma in his «House of the Arabian Lute» in Cairo. At 15, he was already the youngest teacher of the instrument in the Arabic world. «Karkadé» is the name of his newest project. Supported by SüdKulturFonds

Chris Wiesendanger Solo

In the music of Chris Wiesendanger, concentration and presence are at the center. Polyphonic and polyrhythmic music unfolds from this still center. Multi-layered sound fabrics and superimposition of movement sequences stand in contrast to emptiness and open space. The music spreads out, creates resonance, brings about change, and returns to silence. His solo concerts are deeply rooted in the jazz piano and blues traditions, but he is also intimately familiar with the literature of classical and new music. He explores traditional playing techniques as well as new ways of creating sound inside the piano. He also works on extensions, overdubs and changes to the acoustic piano sound through electronics.

Liniker E Os Caramelows

Liniker e os Caramelows are a celebration of life, colourful and open. With her charismatic performance, her distinctive soul voice and her humorous play with identities, Liniker, the Afro-Brasilian transgender songstress has within a few years ascended to become an icon of Brasilian contra-culture. Together with her band, OS Caramelows, she is without doubt one of the most exciting musical acts that Sao Paolo, the metropole of millions, currently has to offer. They blend Brasilian Soul with the heritage of Musica Popular Brasileira. The result is a definitely more intensive, danceable sound, sometimes sensitive, other times energetic. The rhythmical diversity ranges from powerful horns, rock elements and flute funk. One does not need to understand Portuguese in order to be completely taken by the show’s many extraordinary dimensions. Supported by SüdKulturFonds

Aly Keita Trio

The swirling Balafon playing of Aly Keita is a spectacle, the sticks seem to dance over the keys. Born into a musical family, since childhood Aly Keita has built and played his own instruments and has played as sideman with the best: Omar Sosa, Joe Zawinul, Rhoda Scott, Paco Séry, Karim Ziad, Pharoah Sanders, Paolo Fresu and many more. Today Aly Keita lives in Berlin, where he became acquainted with the Dutch drummer Marcel van Cleef and the Italian bassist Roberto Badoglio. In their music they wander between spectacular African rhythms, polyphony and elements of jazz, and blend these into a wonderful and unique sound.

Andreas Schaerer – Luciano Biondini

Accordion

«La Scintilla Nell' Ombra»

«La Scintilla Nell’Ombra» – «The spark in the shadow» – is the name of the brand-new program, whereby the two exceptional musicians Andreas Schaerer and Luciano Biondini meet up for the first time in an intimate duo constellation. Their musical encounter cheerfully moves between virtuosity, fiery dialogue and down-tempo poetry. During the evening they will combine own compositions with a selection of their favourite songs and Canzoni, which develop their very own emotional power with this line-up

Lea Lu

Fender-Rhodes E-Piano

Back to the essence. Back to the voice. That was the starting point of their album «Rabbit» that was released in 2017. That opened up a new path for Lea Lu, away from the usual pop structures and on to totally improvised song tapestries. Lea has put together a line-up of musicians - that are equally at home with pop as they are with jazz - especially for Moods. Moments of energy-loaded freedom are developed from meditative reduction and pop borrowings.

Jaimie Branch Solo

Jury Konzert 

For admission, all guests need a valid Covid certificate from Switzerland or EU (QR code) for vaccinated, tested or recovered persons and an official ID card (ID, passport or driver&#x27;s license). The detailed admission rules are listed here: https://www.moods.club/en/program/admission-rules-covid/ With her trumpet, the New Yorker lends fresh impulse to Jazz. Her enthusiastically experimental approach is occasionally angry, often riotous, frenetic and uninhibited. Her first concert in Moods (2020) was a wild ride through all possible music genres and was so impressive that a live album was created from it.

Zurich Jazz Orchestra feat. Brandy Butler

Brandy Butler sings Billy Strayhorn

Following the successful last season&#x27;s joint ZJO/Brandy Butler concert, the songstress has been invited for a second project. Billy Strayhorn was 24 years old when he joined Duke Ellington and remained loyal for the entire duration of his short life. He was to a large part also responsible for the sound of the orchestra and was considered as one of the most prominent jazz composers and arrangers. The adjective «meaningful» without doubt also applies to his song texts, the majority of which he penned himself. In contrast to many not-so-deep jazz standard lyrics, Strayhorn&#x27;s texts are intelligent, witty and often unconventional. So, for example, the track «Take the A-Train» is route information to Ellington&#x27;s house wrapped up in a melody, which Duke explained to Strayhorn by telephone for their first encounter: «You must take the ‹A› train, to go to Sugar Hill way up in Harlem». Brandy Butler describes Strayhorn as one of her favourite composers and writers and during the evening will sing tracks like «Passion Flower» and «Satin Doll» in addition to «Take the A-Train». She grew up in America, studied music in Philadelphia Musik and in 2003 came to Switzerland as an au-pair. Soon she was singing with the greats such as Sophie Hunger, Florian Ast and the rapper Steff la Cheffe. She can also evidence a notable solo career with bands such as «Chamber Soul» or her current project «Brandy Butler and the Brokenhearted».

Yemen Blues

Yemen Blues stands for the modern, cosmopolitan Israel and shows that there is an enriching exchange between diverse cultures away from the narrow-minded politics. The charismatic singer Ravid Kahalani is of Yemeni origin and has teamed up with top-class musicians with roots from all over the world. The ensemble plays a captivating blend of Funk, Blues, Rock, Soul and traditional Oriental music, which impresses every audience.

Zurich Jazz Orchestra feat. Thomas Gansch

Musikalische Leitung

Trompete

Posaune

Gitarre

Schlagzeug

Die langjährige und sehr fruchtbare Partnerschaft zwischen Thomas Gansch und dem Zurich Jazz Orchestra wird auch dieses Jahr fortgesetzt. Neben Repertoire aus der Vergangenheit wird es auch neue Arrangements geben, die von Ed Partyka speziell für dieses Konzert geschrieben wurden und die Thomas Gansch als Komponisten und Multi-Instrumental-Solisten, aber auch als liebenswürdiges ‹Enfant terrible› präsentieren. Sicher ist, dass die wunderbaren Musiker*innen des ZJO für einige musikalische Überraschungen sorgen werden. Sicher ist auch: Band und Publikum werden einen unvergesslichen Abend erleben.

Evelinn Trouble Orchestra

Violine

Bratsche

Cello

Evelinn Trouble

Ein Jahr nachdem ihr fünftes Studioalbum Album «Longing Fever» den ‹Indie Suisse Album Of The Year Award› abgeräumt hat, ist Evelinn Trouble mit ihrer Band wieder auf Tour. Evelinn Trouble, bekannt für ihre kreative Rastlosigkeit, ihre virtuose Stimme und ihr eigenwilliges Songwriting hat ihrer Diskografie mit «Longing Fever» ein aufregendes Pop-Werk hinzugefügt – ein Bruch mit ihrer Psychedelic-Ära und trotzdem unverkennbar Trouble. Ein spannendes Album, das Höhen und Tiefen mit Inbrunst durchläuft und von beatlesken Liebesliedern zu euphorischen Melodien reicht, die von verzerrtem Hip-Hop getragen werden. Unerwartet gesellen sich neu Klänge von Streichinstrumenten zum sonst dunklen Klanguniversum der Zürcher Sängerin: Ein Streichtrio erweitert die Band zum «Evelinn Trouble Orchestra».

Yarima Blanco Y Son Latino

Gesang

Perkussion

Yarima Blanco ist eine herausragende Tres-Cubano-Spielerin und eine der wenigen ausserhalb Kubas, die dieses einzigartige dreisaitige Instrument beherrschen. Mit ihrem eigenen Septett Son Latino verbindet sie verschiedene kubanische Stile mit lateinamerikanischen Einflüssen. Ihre mitreissenden Auftritte zeigen nicht nur ihre beeindruckende Technik auf der Tres, sondern auch ihre starke Stimme und ihr Charisma. Blanco perfektionierte ihr Können während eines mehrjährigen Studiums in Kuba und avancierte schnell zu einer gefragten Künstlerin, die auch mit dem Orchester ANACAONA in der internationalen Jazzszene für Aufsehen sorgte. Pancho Amat, internationaler Meister des Tres Cubanos, beschreibt Blancos Talent als aussergewöhnlich. Vor und nach dem Konzert lädt DJ Saltho zum tanzen ein.

Orchestra Baobab

Letztes Jahr feierte das Orchestra Baobab, eine der grössten Bands Afrikas, ihr 50-jähriges Bestehen. Ihre Geschichte beginnt im Herzen der Medina von Dakar im Senegal der späten 1960er Jahren und erstreckt sich über die ganze Welt und bis ins 21. Jahrhundert. Die Gruppe aus Sängern und Musikern vom ganzen Kontinent spielen eine Mischung aus afro-und lateinamerikanischen Stilen, internationalem Pop und traditioneller Griot-Musik. Nach dem ausverkauften Konzert vom letzten Jahr kehrt die Band diesen August zurück ins Moods. Vor und nach dem Konzert werden die beiden DJs Afreekaya &amp; Voilà Tim auflegen.

Elina Duni Trio feat. Rabih Abou-Khalil

Flügelhorn

ZKB Jazzpreis Jurykonzert

Die 1981 als Tochter einer Schriftstellerin und eines Regisseurs in der albanischen Hauptstadt Tirana geborene Elina Duni stand im Alter von nur funf Jahren erstmals auf einer Bühne. Seit ihren ersten musikalischen Schritten in Radio und Fernsehen hat sich viel getan: Heute ist Elina Duni ECM-Künstlerin und seit 2017 Preisträgerin des Schweizer Musikpreises. In diesem ZKB Jazzpreis Special trifft der Oud-Virtuose Rabih Abou-Khalil auf das Elina Duni Trio mit Marc Méan und Matthieu Michel. Eine einmalige Konstellation, die wohl so einige goldene Momente mit sich bringen wird. Festivalpass (Ausscheidungsabende, Finale und Jurykonzert) für CHF 70.– erhältlich via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Alina Amuri + Special Guests

Sousaphon

Album Release im Moods

Alina Amuris Plattentaufe findet im Rahmen des Schiffbaufestes statt. Das Konzert ist gratis, wir bitten unsere Gäste aber über den Ticketlink einen Platz zu reservieren, um garantierten Einlass zu haben. Mit unterschiedlichen kulturellen Einflüssen sowie einer lebendigen und mutigen Botschaft gelingt es Alina Amuri, magische musikalische Momente zu kreieren. Die in der DR Kongo Kinshasa geborene und in der Schweiz aufgewachsene Sängerin und Multi-Instrumentalistin hat in den letzten zehn Jahren ihren eigenen, hausgemachten Stil zwischen Afro, Neo Soul und Trip Hop entwickelt. Eine unvergessliche Stimme trifft auf kongolesische Perkussionsfreude und überraschende Flöteneinlagen und setzt Kräfte frei, bei denen der Optimismus zurückkehrt und das Tanzen unausweichlich wird. Ein Sound, der ein neues Gefühl der Zusammengehörigkeit schafft und das Versprechen, dass alles gut werden wird. Alina Amuri verbindet in ihrer Musik Einflüsse aus Lauryn Hill, Nina Simone und Alicia Keys mit einem frischen, lebendigen Twist. Alina wurde schon für SRF 3 Best Talent ausgewählt, war schon für den wichtigsten Schweizer Musikpreis nominiert (Swiss Music Awards) und gewann mit ihrem letzten Album (Chasing Traces) den Swiss Live Talent Award. An diesem Konzert wird Alina Amuri ihr nächstes Studioalbum «Back To You» vorstellen. Es ist die bisher persönlichste Platte und erzählt von ihrer Reise zurück in ihre Geburtsstadt Kinshasa, zurück zu ihren familiären Wurzeln.

Zurich Jazz Orchestra feat. Efrat Alony

Efrat Alony und Ed Partyka arbeiten schon bald 20 Jahre lang zusammen und haben Aufnahmen mit dem Sunday Night Orchestra und dem Ed Partyka Jazz Orchestra gemacht. Darüber hinaus sind sie gemeinsam mit dem UMO Helsinki Jazz Orchestra und der HR Big Band aufgetreten. Die Sängerin, Bandleaderin und Komponistin, die heute in Deutschland lebt, begann ihr Musikstudium in Haifa und schloss es in Boston ab. Genauso international ist das Programm des Abends. Es besteht aus modernen jüdischen Volksliedern und Originalkompositionen von Efrat Alony, die von Ed Partyka für Jazzorchester und die warme, bald sanft-melancholische, bald dezidierte Stimme Efrat Alonys arrangiert wurden.

Luedji Luna

Die Sängerin und Songwriterin Luedji Luna ist ein prominenter Name in der brasilianischen Musikszene. Mit zahlreichen Preisen ausgezeichnet und 2022 für den Latin Grammy «Best MPB Album» nominiert, erreichte sie bald auch Bekanntheit weit über die Landesgrenzen hinaus. In ihrer Musik untersucht und zelebriert sie die Verbindungen zwischen ihrem Heimatland und ihren afrikanischen Wurzeln und thematisiert die Marginalisierungen von Afrobrasilianer*innen und Frauen in Brasilien. Diese Thematik gepaart mit ihrer souligen Stimme trägt eine mitreissende Energie in sich, die schon in ihren Alben oder online beim NPR Tiny Desk Concert spürbar wird, sich aber vor allem live zu einem unvergesslichen Musikerlebnis entfaltet. DJ Sampa wird anschliessend die besten Tracks aus Forró, Samba-Rock, Gafieira und Tropicalia auflegen. Diese Veranstaltung findet in Zusammenarbeit mit Adalu statt: https://www.adalu.ch/

Marie Krüttli Trio

Das Marie Krüttli Trio beeindruckt, ist aufregend, bunt und gewagt. Mit reifem Ton, eindeutiger Ästhetik und betörender Virtuosität manövriert die Welschschweizerin sich und Ihre Bandkollegen durch vertrackte Rhythmusgebilde und verwobene Akkordketten. Groovig schillern die Melodien, charmant und mit viel hintergründigem Witz erscheinen die Akteure, stets tief in der europäischen Klaviertradition verankert und von den Klangidealen eines Strawinsky und Debussy beeinflusst sind.

OORT CLOUD

OORT CLOUD concentrates on the expansion of the classical guitar trio sound and discover new, unconventional ways of interaction, composition and improvisation. The instrumentation loses its typical role models through the experimentation with preparations, electronic effects, playing techniques, together with sophisticated concepts for composotion and improvisation.

Bergerausch

Shake Stew

With A Shake Stew, Austria&#x27;s Jazz band of the hour, much is extraordinary. Starting with the line-up: two drummers, two bass players, two saxophones, a trumpet. Quasi two trios plus one. Their comet-like ascendance is also without parallel: a sold-out debut album, a closely-watched collaboration with Shabaka Hutchings and performances at all the renowned Jazz festivals from Frankfurt to Montreal, from Istanbul to Mexico, speak for themselves. And then there&#x27;s that sound: driving rhythms, the horns sometimes blaring, sometimes virtuoso, sometimes melodious, borrowings from Afrobeats, Funk and Swing. Music that reveals a hypnotic spell, one wants to soak up every note, to dance, to shake oneself and hope that it will never stop.

Kush K

District Five

Mara Micciche aka IOKOI vertont «Häxan»

«Streamed concert only, no audience»

Summer Pearl

From her hometown of London, singer Summer Pearl is currently taking the music world by storm. Her sound of jazz, soul, hip-hop and dub, is reminiscent of the one of the great Erykah Badu, both powerful and touching at the same time. Summer Pearl herself describes it as &quot;a meditation on my past and a reflection of our present. It is both a personal and political message exploring black and female liberation and love gained and love lost.&quot;

Born in 1981 as the daughter of a writer and a director in the Albanian capital Tirana, Elina Duni first appeared on stage at the age of just five. A lot has happened since her first musical steps on radio and television: today, Elina Duni is an ECM artist and, since 2017, a laureate of the Swiss Music Prize. In this ZKB Jazz Prize Special, the oud virtuoso Rabih Abou-Khalil meets the Elina Duni Trio with Marc Méan and Matthieu Michel. A unique constellation that will probably bring some golden moments. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Knobil

Bass Clarinet

Festival Finale

Knobil is a vocal jazz quartet founded by Louise Knobil, a double bass player, singer and composer living in Lausanne. Inspired by Esperanza Spalding, Charles Mingus and Oscar Pettiford, she interprets her own compositions with her double bass and voice in a style between singer-songwriter, post-bop and glitery jazz.

Masterclass mit Rabih Abou-Khalil

Festival

Traditional Arabic meters and scales combined with European classical music up to open jazz and distinct improvisations. The result Rabih Abou-Khalil conjures from his instrument is a fresh music, fascinatingly complex, virtuosic, sensual. The starting point of this masterclass is his extraordinary instrument - the oud - and from there the conversation develops. The further content depends on the composition of the participants. Open to musicians and those interested in music. No registration required. Duration: 1 hour

ARBRE

Electronics

The sound of the Bernese collective ARBRE is rooted in clear and gnarly rhythms composed of carefully selected sounds played with a light, precise hand. Their groove spans densely woven acoustic and electronic textures and deeply branching soundscapes.

Filippo Valli Quartet

The Filippo Valli Quartet from Ticino brings together four young musicians who combine their talents and collaborative spirit to create a fascinating and cohesive musical experience. Their collective artistry and seamless interplay results in performances that captivate audiences with their fusion of traditional and contemporary jazz, R&amp;B, soul and hip-hop influences. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Arthur Donnot Group

Arthur Donnot is an up-and-coming musician from Lausanne whose calm breath on the saxophone unfolds a warm sound all its own, almost reminiscent of organic singing. His compositions are rich and somber, yet have a luminous note. His influences range from Mac Demarco to Serge Gainsbourg, from hip hop to indie folk. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Drenched in sweat

find all your favourite piano artists here

Piano Sounds

Mascha's Favourites

Female* Artists

Discover Switzerland

Guitar Heroes

Psychedelicious

Dance along Graziella's streming playlist!

This VOD-playlist will make you sweat

Soul

Rap & R'n'B

A-WA

A-WA is the World Pop lucky bag sensation from the Israeli Negev desert. Their band name means «Ja» in Arabic slang and one feels this positive approach in the music of the three sisters from Israel: the combination of traditional old Jemeniti singing with hip-hop beats, reggae grooves and electronic elements generates an immediate desire to dance, in the performers and audience alike. The sound and the style of A-WA remind us of the Londoners M.I.A and yet are unmistakeable: cheeky, pop colourful with a rebellious energy. 

Omar Sosa & Gustavo Ovalles Duo

Jurykonzert

There was a time when half of the world danced to «Baby Love», the hit by the legendary crossover band, Mother&#x27;s Finest. They released their first album in 1976, numbers such as «Mickeys Monkey» and «Dis Go Dis Way, Dis Go Dat Way» have long become classics and fill all the dancefloors, even today. Their explosive blend of Jazz, R&amp;B, Rock and Funk sounds captivating, provocative and passionate. The band’s key to success? Their live shows! And: they are seldom to be seen in such intimate settings such as Moods! Supported by SüdKulturFonds

Discover the diversity of the Swiss music scene.

Over 700 video-on-demand and 40 live streams per year from jazz, global, blues, funk, soul and rap await you. Curated with playlists and recommendations from our program team. In addition, 70% of the subscription revenue goes directly to the musicians. With a subscription you support the artists and this project.

Minyo Crusaders

Moods Summer Special

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