JazzBaragge Wednesday Jam

25 Years Vintage Jam Band

The JazzBaragge Wednesday Jam offers an important platform for the Swiss jazz jam scene. After the musical opening of the jam band, lively and exciting sound conversations begin between musicians who spontaneously meet on stage, reflecting the diversity of jazz in all its facets. The JazzBaragge Wednesday Jam is supported by the non-profit association JazzBaragge. To celebrate the 25th anniversary of the JazzBaragge Wednesday Jam, the association is hiring a jam band every month, at least one of whose members played in the original line-up. 25 years later – a retrospective! There is no presale for JazzBaragge, only box office.

Piano

Bass

Drum Kit

The Voice Laboratory – Vernissage & Performance

Dalia Donadio

«The Voice Laboratory» performance: an opening night, a performed exhibition catalogue, first encounters. Exploring questions about voice and language in a hybrid format between lecture performance and concert, topics covered include art song, song culture, mythology, poetry, sound formation, language development and extended voice practices. «The Voice Laboratory» Exhibition by Dalia Donadio in collaboration with: Lilly Johanna Coenen, Jela Hasler, i.AM-Lab, Isabell Klara, Tobias Meier, Christoph Oeschger, Andri Schatz, Lena Schmid, Anne-Catherine Studer, Andreas Wüthrich, Dr. Salome Zwicky (SingStimm Zentrum Zürich) --- In «The Voice Laboratory», singer Dalia Donadio explores the human voice as a cultural, social, and energetic phenomenon. Taking a circular approach to a phenomenon that eludes definitive capture, the focus is on an experimental exploration of what voice could be. «The Voice Laboratory» is a vessel for intensive craftsmanship, with a particular focus on the intersection between scientific voice physiology research and personal sound work experience. Moving beyond feel-good rhetoric and esoteric idealisation, the voice is examined, transformed and celebrated in all its complexity. Through collaboration with musicians and artists specialising in performance, photography, film and digital art, among others, Dalia Donadio creates an exhibition, as well as performances, workshops, and concerts. Concert location: Galerie la_cápsula, Anwandstrasse 9, 8004 Zürich

Vocals

Kontrabass

AS IN PLASTIC

As diverse as its members are, so is the sound of the Lucerne-based band AS IN PLASTIC: music that at times scratches like straw, and at others recalls velvety summer evenings. Earthy riffs and polyrhythmic playfulness meet dub-infused basslines and atmospheric textures to dance together amid psychedelic soundscapes. AS IN PLASTIC toys with the audience’s expectations, surprising them with sharp contrasts, Swiss-German spoken word, and reflective, fragile moments. AS IN PLASTIC is a collective — creating together, finding connection, being in the moment. Music serves as an outlet for emotion: What can we achieve together? United by the joy of making music together — pleasure as a political statement, radiating energy and hope for a better future.

Guitar

Percussion

The Voice Laboratory – Ausstellung

«The Voice Laboratory» Exhibition by Dalia Donadio in collaboration with: Lilly Johanna Coenen, Jela Hasler, i.AM-Lab, Isabell Klara, Tobias Meier, Christoph Oeschger, Andri Schatz, Lena Schmid, Anne-Catherine Studer, Andreas Wüthrich, Dr. Salome Zwicky (SingStimm Zentrum Zürich) --- In «The Voice Laboratory», singer Dalia Donadio explores the human voice as a cultural, social, and energetic phenomenon. Taking a circular approach to a phenomenon that eludes definitive capture, the focus is on an experimental exploration of what voice could be. «The Voice Laboratory» is a vessel for intensive craftsmanship, with a particular focus on the intersection between scientific voice physiology research and personal sound work experience. Moving beyond feel-good rhetoric and esoteric idealisation, the voice is examined, transformed and celebrated in all its complexity. Through collaboration with musicians and artists specialising in performance, photography, film and digital art, among others, Dalia Donadio creates an exhibition, as well as performances, workshops, and concerts. Concert location: Galerie la_cápsula, Anwandstrasse 9, 8004 Zürich

Jazzbois

Jazzbois is a jazz-hiphop fusion trio from Budapest, Hungary. Their debut album &quot;Jazzbois Goes Blunt&quot; had a strong impact on both the jazz and hip-hop scene, creating a unique psychedelic flavoured fusion that shacked the bones of jazz- and beat-lovers alike. Their latest album „Still Blunted“ came after performing at the legendary Montreux Jazz Festival in 2024. The trio then sold out venues around Europe (including the Jazz Cafe London) on their headline tour in the autumn of 2024. Their 2025 agenda included festivals like the Montreal Jazz Festival and Cross the Tracks Festival in London. Their 2025 EU tour, named “Tour of Hope” had them headlining London’s cultic venue, The Village Underground amongst shows all over Europe.

Sammy Bacca

Warm Up & Hang Out 

Sammy Bacca is just a simple chill dude from Zurich, whose affinity for good music has been honed since he was a child. When he finally was “old” enough to start collecting records, that’s when it took off - his world became enveloped by music and records. At home, there’s never not a record playing. Lately he also started sharing some gems of his record collection on Instagram - go check it out! Having had some residencies in and around Zurich and still keeping up with the scene there, he’s been behind quite a few DJ booths in the past 20y, while also perfecting his skills as a selector. With that said, his sets go through a variety of genres and gems to tell his story.

Keyboards

The Voice Laboratory – Workshop & Ausstellung

Workshop lead by Isabell Klara and Dalia Donadio Limited number of participants. Registration required by email to donadiodalia@gmail.com This workshop from «The Voice Laboratory» offers participants the opportunity to gain anatomical and physiological insight into the laryngeal system, as well as expanding their perception of their own voice. Through individual and collective exploration, you will deepen your understanding of singing as a whole-body phenomenon. This workshop takes place in the exhibition space and is open to anyone interested in the voice, including beginners, advanced learners, professional singers, speakers and curious individuals. No preparation is necessary. Isabell Klara and Dalia Donadio are graduates of the Lichtenberg course in applied voice physiology. Drawing on this approach, they have developed a shared artistic and educational practice that explores the relationship between scientific findings and personal experiences of the voice phenomenon. «The Voice Laboratory» Exhibition by Dalia Donadio in collaboration with: Lilly Johanna Coenen, Jela Hasler, i.AM-Lab, Isabell Klara, Tobias Meier, Christoph Oeschger, Andri Schatz, Lena Schmid, Anne-Catherine Studer, Andreas Wüthrich, Dr. Salome Zwicky (SingStimm Zentrum Zürich) --- In «The Voice Laboratory», singer Dalia Donadio explores the human voice as a cultural, social, and energetic phenomenon. Taking a circular approach to a phenomenon that eludes definitive capture, the focus is on an experimental exploration of what voice could be. «The Voice Laboratory» is a vessel for intensive craftsmanship, with a particular focus on the intersection between scientific voice physiology research and personal sound work experience. Moving beyond feel-good rhetoric and esoteric idealisation, the voice is examined, transformed and celebrated in all its complexity. Through collaboration with musicians and artists specialising in performance, photography, film and digital art, among others, Dalia Donadio creates an exhibition, as well as performances, workshops, and concerts. Concert location: Galerie la_cápsula, Anwandstrasse 9, 8004 Zürich

Mandé Sila für Familien

Habib Koité, Lamine Cissokho, Aly Keïta, Mama Koné

Habib Koité is one of the great stars of world music. With charisma and skill, he brings the rich musical culture of Mali to a wide audience. His guitar style, inspired by the ngoni lute, combines fine playing with rhythmic drumming and characterizes his special sound. His songs tell of everyday life, history and society in Mali - deeply rooted, but open to the world. His new project is called Mandé Sila - an acoustic quartet that celebrates the diversity of West African musical cultures. Habib Koité is accompanied by three virtuoso artists: the balafon master Aly Keïta (Ivory Coast), the kora player Lamine Cissokho (Senegal), who comes from a famous griot family, and his long-time percussionist Mama Koné (Mali). Together they celebrate the Mandé Sila, the musical path of the Manding empire, which unites the languages, cultures and musical diversity of West Africa. Mandé Sila is not just a musical project, but a moment of cultural encounter and harmony between the artists. The repertoire consists of original compositions that come to life through the mastery of traditional instruments and the fusion of different styles - from West African rhythms to oriental and jazzy influences.

Kora

Balafon

The Voice Laboratory – Performance & Ausstellung

«The Voice Laboratory» performance: Isabell Klara and Dalia Donadio are both graduates of the Lichtenberg programme in Applied Voice Physiology. Drawing on this approach, they have developed a collaborative artistic and educational practice that explores the relationship between scientific findings and personal experiences of the voice phenomenon. In this 90-minute performance, during which they both act sonically and reflectively, they explore the in-between through their own voices, the shared moment, and the encounter. «The Voice Laboratory» Exhibition by Dalia Donadio in collaboration with: Lilly Johanna Coenen, Jela Hasler, i.AM-Lab, Isabell Klara, Tobias Meier, Christoph Oeschger, Andri Schatz, Lena Schmid, Anne-Catherine Studer, Andreas Wüthrich, Dr. Salome Zwicky (SingStimm Zentrum Zürich) --- In «The Voice Laboratory», singer Dalia Donadio explores the human voice as a cultural, social, and energetic phenomenon. Taking a circular approach to a phenomenon that eludes definitive capture, the focus is on an experimental exploration of what voice could be. «The Voice Laboratory» is a vessel for intensive craftsmanship, with a particular focus on the intersection between scientific voice physiology research and personal sound work experience. Moving beyond feel-good rhetoric and esoteric idealisation, the voice is examined, transformed and celebrated in all its complexity. Through collaboration with musicians and artists specialising in performance, photography, film and digital art, among others, Dalia Donadio creates an exhibition, as well as performances, workshops, and concerts.

Mandé Sila

K.O.S Crew Dancehall Mood

Party

Dancehall Mood is the monthly reggae and dancehall party at Moods. Like on every first Saturday of the month, the K.O.S crew will make the Moods club cooking with hot riddims. This promises an evening full of dancehall hits and reggae rarities, perfectly tuned to the respective audience and immaculately presented by the K.O.S crew and their guest.

Alex Sipiagin Quartet

«Reverberations»

A wave of fresh contemporary jazz is set to arrive in the form of the Alex Sipiagin Quartet — a powerhouse unit led by the renowned trumpeter and flugelhorn player whose sound is as bold as it is refined. With over 20 solo albums to his name, he is celebrated for his razor-sharp precision, rich tone, and a style that’s unmistakably his own. After more than three decades in New York, Sipiagin now resides in Italy, continuing to shape the future of modern jazz. After performing as a featured guest with Christoph Grab in 2024 and Victoria Mozalevskaya in 2025, Sipiagin returns with his own quartet, celebrate the latest realease on Criss Cross Jazz, Reverberations. Along with an international grouping of Dave Kikoski, Makar Novikov and Donald Edwards, their fiery style and immpecable technique are sure to guarantee a concert of rich textures, pulsating rhythms and modern jazz brilliance.

Trumpet

Elliot Galvin

The young pianist, Elliot Galvin, accompanied Shabaka Hutchings on his last tour and has collaborated with musicians such as Emma-Jean Thackray and Floating Points. He also has a direct connection to Switzerland through the band Ydivide. He is now performing his latest album, The Ruin, for the first time as a solo artist at Moods. London&#x27;s young creative scene has long been widely recognised as one of the most important trendsetters in contemporary jazz. However, Elliot Galvin represents a more avant-garde branch of that scene. His compositions range from flowing, meandering piano sounds to bleak yet beautiful musical portraits of English landscapes. Elliot Galvin&#x27;s unique piano and synthesiser sounds are complemented by the renowned bassist and singer Ruth Goller, the drummer Sebastian Rochford (of Polar Bear and a Patti Smith collaborator) and the violinist Mandhira de Saram.

Synthesizer

Violin

HSLU @ JazzBaragge

The JazzBaragge Wednesday Jam offers an important platform for the Swiss jazz jam scene. After the musical opening of the jam band, lively and exciting sound conversations begin between musicians who spontaneously meet on stage, reflecting the diversity of jazz in all its facets. The JazzBaragge Wednesday Jam is supported by the non-profit association JazzBaragge. There is no presale for JazzBaragge, only box office.

Tillmanns toller Jam im Moods

Till Ostendarp

The joyful motto of Tillman Ostendarp&#x27;s one-off jam session, which the multi-instrumentalist is organising as part of his Carte Blanche, says it all. Location? Moods. Genre? Party hits. The band? Stars of Zurich&#x27;s music scene and anyone who wants to join in.

Multiinstrumentalist

Roberto Fonseca & Vincent Segal

Roberto Fonseca and Vincent Segal have both distinguished themselves for years through their ability to transcend genres. Their careers have been a journey through different musical styles, ranging from contemporary music to electro, jazz and world music. Roberto Fonseca made his debut with the Buena Vista Social Club and has never stopped collaborating with artists such as Omara Portuondo, Herbie Hancock, Esperanza Spalding, Ibrahim Maalouf, Fatoumata Diawara, C. Tangana and Damon Albarn, to name but a few. Vincent Ségal, for his part, plays with artists from all walks of life, including Cesaria Evora, Vanessa Paradis, Dick Annegarn, Ballaké Cissoko, Matthieu Chedid and Glenn Ferris, among others, with disconcerting ease. Both have been nominated for prestigious awards such as the Victoires de la Musique and the Grammy Awards. The sensual, swaying dances of La Gran Diversion – Roberto&#x27;s latest project – now invite us to engage in a more intimate dialogue: &quot;This project began with the desire to tell stories and recount experiences. The classical influence is present and most of the themes were worked out in advance, but once in the studio, we let ourselves improvise to capture the moment. It&#x27;s a real pleasure to work with Vincent, his way of creating has no barriers or limits.&quot;  Vincent continues, describing their collaboration as &quot;relaxed but focused at the same time“ and a privilege to be able to listen to each other as well as perform together. After first performing together a long with Mayra Andrade years ago, Roberto and Vincent performed in a duet, helping each other rediscover their instruments and characters. From there, what initially started as a film that calls for music, resulted in music that invites and beckons images into the audience.

Cello

The Voice Laboratory – Finissage Ausstellung & Performances

«The Voice Laboratory» Performance 1: A spoken piece composed of fragments from joint online video conversations about questions relating to the voice, exploring the meaning and essence of the voice in reflective spoken form. «The Voice Laboratory» Performance 2: Over the years, a repertoire of songs accumulates – but how should it be handled? What function do the scores serve? What performance practice emerges from the individual collection? «The Voice Laboratory» Exhibition by Dalia Donadio in collaboration with: Lilly Johanna Coenen, Jela Hasler, i.AM-Lab, Isabell Klara, Tobias Meier, Christoph Oeschger, Andri Schatz, Lena Schmid, Anne-Catherine Studer, Andreas Wüthrich, Dr. Salome Zwicky (SingStimm Zentrum Zürich) --- In «The Voice Laboratory», singer Dalia Donadio explores the human voice as a cultural, social, and energetic phenomenon. Taking a circular approach to a phenomenon that eludes definitive capture, the focus is on an experimental exploration of what voice could be. «The Voice Laboratory» is a vessel for intensive craftsmanship, with a particular focus on the intersection between scientific voice physiology research and personal sound work experience. Moving beyond feel-good rhetoric and esoteric idealisation, the voice is examined, transformed and celebrated in all its complexity. Through collaboration with musicians and artists specialising in performance, photography, film and digital art, among others, Dalia Donadio creates an exhibition, as well as performances, workshops, and concerts. Concert location: Galerie la_cápsula, Anwandstrasse 9, 8004 Zürich

New Regency Orchestra

Spirit Music Society & Moods present

For the past four years, the New Regency Orchestra has been causing a sensation with its powerful twelve-piece horn section and well-rehearsed five-piece rhythm section. The orchestra&#x27;s dancers breathe new energy and arrangements into the heyday of Latin jazz and salsa. The orchestra is the brainchild of artistic director Lex Blondin, who is the man behind the Total Refreshment Centre and the co-founder of the Church of Sound. His longstanding passion for jazz led him to discover the explosive Afro-Cuban rhythms that were popular in 1940s New York thanks to Mario Bauzá, the godfather of Afro-Cuban jazz. This lively music was made for dancing and found a home at the New York Palladium, a place that was crucial to the development of the scene because it was a defining place of freedom and expression. The 18-piece Afro-Cuban jazz big band is one of London&#x27;s most exciting ensembles. It brings the New York of the 1950s to life, featuring the contemporary power and energy of some of London&#x27;s best Latin and jazz musicians. The NRO&#x27;s repertoire reinterprets some of the best pieces from this golden era. They perform pieces by René Hernández and Tito Puente from the early 1950s and salsa by Rafael Labastida and Orlando Marín from the 1970s with fresh London flair.

DJ Hugo Leite & MimoMusic

Warm Up & Afterparty

DJ Hugo Leite is coming to us directly from Portugal and, together with Matthis from MimoMusic, invites you to dance and linger before and after the concert. Both DJs are internationally in demand and perform around the world. We are very happy to have secured them for this evening! Drawing from their extensive collection as well as their own compositions, they will invite dancers to the floor for salsa and mambo. Time to polish your dancing shoes!

Director

Baritone Saxophone

Altsaxophon

Tenorsaxophon

Trombone

Bongos

Congas

Samuel Rohrer Solo

As an improvisatory sound pilot, Samuel Rohrer is able to elegantly navigate beats and anti-beats and expands the world of rhythmic functions with his artistic cross-style overall concept to include striking emotional components. Originally coming from acoustic improvised music and since a few years diving into the world of electronic music, he is one of the few defining a world by his own while balancing in between these two. During his 25-year career, the experimental drummer has collaborated with the likes of Ricardo Villalobos, Laurie Anderson and Oren Ambarchi, and only now finds himself in the driving seat with his debut record, MUSIC FOR LOVERS. Naturally featuring a wide range of percussive instruments, alongside synths, keyboards and sound effects, the album is a playful mix of jazz ambience and electronics, which pays homage to the minimal techno scene that helped forge Berlin’s club community. Deep, reflective, and equally mesmerising, Rohrer’s debut shares some similarities with Nils Frahm’s work but is still unique. Roher’s debut is a jazz jamboree of moods, feelings and textures made for (music) lovers by a man who loves music – a specatacle and true blessing alike.

Electronics

Moog

Louis Matute Large Ensemble

«Dolce Vita»

Louis Matute grew up in Geneva. However, the Latin American touch hinted at in his name has accompanied him throughout his life. His travels have taken him to Spain, Cuba, Costa Rica, Honduras and most recently to Brazil, where he completed &quot;Dolce Vita&quot; with the voices of Joyce Moreno and Dora Morelenbaum. The new tracks on the new album shine thanks to Nathan Vandenbulcke&#x27;s outstanding drumming, Zacharie Ksyk&#x27;s energetic trumpet solos and Léon Phal&#x27;s sensual tenor saxophone solos, supported by double bassist Virgile Rosselet and the enormous versatility of pianist Andrew Audiger. At the same time, one recognises Louis Matute&#x27;s sensitive signature, the touching melodies, the special sound of the trumpet and tenor saxophone, and the guitarist, whose rare solos are all the more effective. Louis Matute is more than just a musician – he is a curious, committed personality whose style is recognisable after just a few bars. Louis Matute and his large ensemble open doors and windows, travel, tell stories, find healing in humanity and resilience – and use this to create music that touches the personal and appeals to the universal. And perhaps we can take &quot;Dolce Vita&quot; quite literally after all?

Saxophon

E-Gitarre

Alabaster DePlume

Musician and spoken word poet Alabaster DePlume knows how to use words as skillfully as the dreamy melodies of his saxophone. On his latest album, “A Blade Because A Blade Is Whole” (2025), the Mancunian reflects on healing, dignity, and struggle. He remains true to his unmistakable sound of Ethio-jazz and ghostly melodies, with his vibrato-laced saxophone winding its way around his philosophical lyrics. Fearlessly absurd and with genuine, openly expressed emotions. That&#x27;s how the music sounds on his album, but what you hear live is something you only find out on the evening itself: anyone who has already experienced Alabaster DePlume at Moods in 2022 knows about his particularly spontaneous live shows and how the concert hall fills with humanity, sensitivity, and love in an instant.

Sampler

Matt Johnson (of Jamiroquai)

«Warrior Princess»

For over two decades, Matt Johnson has been a key member of Jamiroquai, playing keyboards and co-writing most of the band’s material during that time. He also co-produced their last album &quot;Automaton&quot;. He has become legendary among keyboard players for his unique style, blending funk, acid jazz and electronica. He also hosts a popular YouTubechannel dedicated to all things keys which has over 140,000 subscribers. As well as Jamiroquai, Matt has written and performed on many artist’s records including Dizzee Rascal, Duﬀy, Ashanti, Lizzo, Purple Disco Machine, Nolwenn Leroy, Lucky Daye, Newton Faulkner and many more. In 2025, Matt joined the prestigious Parisian Label Naïve to release his 2nd Solo album &quot;Warrior Princess&quot;, a gorgeous retro sounding record inspired by the modern activisit and heroine Greta Thunberg. Blending 70s funk, cosmic jazz and raw soul, the album features prestigious musicians including Jeﬀ Lorber, Cory Wong and Will Lee.

Marta Pereira da Costa

Portugal: nova geração

Marta Pereira da Costa is an instrumentalist, composer, and bandleader who masterfully plays the Portuguese guitar. She broke tradition in a field historically dominated by men, becoming the first woman to play the Portuguese guitar professionally in Fado. In 2014, she received the Instrumentalist Award from the Amália Rodrigues Foundation, and in 2016, she released her self-titled debut album with Warner Music Portugal, featuring renowned artists such as Rui Veloso, Dulce Pontes, Camané, Richard Bona, and Tara Tiba. Since then, she has performed on prestigious stages including the Kennedy Center and the Lincoln Center, and her Tiny Desk NPR (2023) performance has surpassed one million views. More recently, she was honored with the Voz do Operário Composition Award (2024) and the Best Instrumental Award at the IPMA Awards (2025). Throughout her career, Marta has taken her music across five continents, performing in countries such as Australia, Brazil, the United States, China, India, Indonesia, Spain, France among many others—establishing herself as one of the leading ambassadors of Portuguese sound worldwide. Her current project transcends borders, presenting the Portuguese guitar as a voice that travels through the traditional sounds of Fado and Portuguese music while also exploring new musical landscapes such as jazz, Cape Verdean morna, Brazilian choro, and world music. Performing in trio format, Marta will be joined by João José Pita Junior on seven-string guitar and Carlos Miguel Antunes on percussion. Together, they will perform pieces from her new album Sem Palavras, such as Verdes Anos, Summertime, Dia de Feira as well as from her debut album (Terra, Encontro, and Fado Lopes). The audience will be invited on a journey of sounds and emotions, where the Portuguese guitar takes center stage—guided by Marta’s sensitivity, intensity, and elegance—for a performance that promises to be as powerful as it is unforgettable.

The Voice Laboratory – Konzert

In the «Voice Laboratory» concert, the three singers Dalia Donadio, Laura Kull and Lena Kiepenheuercome together to showcase the defining features of their vocal work, including melodies, lyrics and fragments. Quotations stand alongside vocalisations and spoken narratives alongside melismatic loops. The voice takes on different roles: it is a reflective authority, an echo, a high priestess and an improvised draft. Alongside musicians Moreno Donadio, Marc Méan, Tobias Meier and Jonas Ruther, they create a collage of their own and collective memories. --- In «The Voice Laboratory», singer Dalia Donadio explores the human voice as a cultural, social, and energetic phenomenon. Taking a circular approach to a phenomenon that eludes definitive capture, the focus is on an experimental exploration of what voice could be. «The Voice Laboratory» is a vessel for intensive craftsmanship, with a particular focus on the intersection between scientific voice physiology research and personal sound work experience. Moving beyond feel-good rhetoric and esoteric idealisation, the voice is examined, transformed and celebrated in all its complexity. Through collaboration with musicians and artists specialising in performance, photography, film and digital art, among others, Dalia Donadio creates an exhibition, as well as performances, workshops, and concerts.

SOYUZ (СОЮЗ)

Album Release

The creative collective SOYUZ from Minsk, Belarus consists of multi-instrumentalists Alex Chumak and Mikita Arlou. Since 2022, when they moved to Warsaw, Poland, drummer Albert Karch and guitarist Igor Wiśniewski have also joined the collective. The great thing about SOYUZ is that they are two bands in one. In the studio, Chumak acts as composer, arranger, and artistic director, creating carefully crafted recordings that blend jazz, folk, global pop traditions, and lush orchestration. On stage, however, SOYUZ becomes a live quartet. Improvisation and the unique voice of each member reshape the songs, often surprising the audience and the band itself. At Moods, SOYUZ will present their latest album, KROK (English: Step), which is set to release in October 2025 on Mr. Bongo. It is the collective&#x27;s first album composed almost entirely in Belarusian, weaving their Eastern European roots with jazz, folk, and global influences.

Vincent Peirani

«Living Being IV – Time Reflections»

With &quot;Living Being IV: Time Reflections&quot;, Vincent Peirani and his quintet present a work deeply rooted in musical reflection and exploration of time. The new project, featuring Émile Parisien, Tony Paeleman, Yoann Serra and Julien Herné, invites listeners on a sonic journey in which every note is imbued with the complexity and nuances of the rhythm of life. Created in the unique context of the first months of the Covid pandemic, this album is the result of a moment of forced pause for Vincent Peirani, a break in his daily routine that led him to meditate on how time shapes our lives and our perception of the world. &quot;Time Réflections&quot; is thus a mosaic in which the contemporary pulse and the echoes of traditional dances intersect, with a strong nod to baroque music, which finds an unexpected and poetic place here.

Accordion

Sopransaxophon

Fender-Rhodes E-Piano

25 Jahre JazzBaragge Birthday Jam

Zurich Jazz Orchestra feat. Karin Meier

Karin Meier returns to continue her many years of great collaboration with the Zurich Jazz Orchestra. In addition to Karin&#x27;s own compositions, the program will also include new interpretations of jazz standards and pop classics, all arranged for the ZJO by Ed Partyka. The orchestra will perform with an expanded line-up, including French horn, tuba and a whole range of woodwind instruments to give the music additional textures and timbres. The orchestra will also play instrumental music by Ed Partyka, including the continuation and further development of the composition written for the orchestra&#x27;s 30th anniversary. The first movement of the work, There Will Be Another You, was premiered on October 2, and the piece will continue to evolve and grow until May 2026. As always, both the instrumental and vocal arrangements will be performed by the Zurich Jazz Orchestra&#x27;s outstanding soloists.

Leitung

Bassposaune

Horn (Cornet)

Tuba

Palko!Muski

20 Years of Palko! and still dirty

Somewhere between Kharkiv and Porto, Malmö and Napoli, in a filthy rehearsal room with lots of booze and tears, a couple of guys who had just broken up a band receive a visit from Palko! Palko! was a traveler, a vision that inspired the founding members from then on. Palko! loved the music passed down by word of mouth and the freedom and melancholy of the Cossacks. The loud and pounding beat was his best friend and constantly drove him to dance. The band mixed the substance of this genius with rock and punk, and over the years this unique mix grew into over 100 songs. There is probably no human constitution that is not experienced at and during a Palko!Muski concert: glasses are thrown against the wall, bodily fluids are exchanged; ecstasy and catharsis are lived out. Knocked-out teeth, tears of joy, euphoria to anger, despair and hope, a rush of emotions in a frenzy. Couples come together and separate, children are conceived and born.

DJ Emina

Warm Up & Afterparti

With the BalkanEkstra Parti there are no stops for Oriental sounds or Arabian rhythms – what’s important is the motto: danceable! Where the journey will take us through the night is unclear, but one thing is certain: dancing until the hips hurt, the feet burn and the stars dissolve with the dawn.

Bloco Adalu

Adalu & Moods present: Adalu Carnaval

Tropikaos - Carnaval Adalu invites you on a journey through the sounds, sights and culture of Brazilian carnival, where people revel in colorful, harmonious chaos at the world&#x27;s biggest street parties. The city of Zurich loves Brazilian rhythms, which is why we have brought together percussion groups to perform at the same tempo. Led by the talented musician Juninho Ibituruna, these groups will open our carnival party in the foyer of the Schiffbau. Similar to a traditional “Bloco de Rua,” we are bringing together the groups Borumbaia, Zurich School of Samba, and Pandeiro LX.

Coletivo Gira

Women unite their voices, their instruments and their love of samba in a performance that revives the great samba classics, but also presents the samba of the new generation, always highlighting the work of other women, whether as composers or performers. The focus of the concert is on samba and other Afro-Brazilian rhythms from the Samba de Terreiro. The sound of the hand drums (ilú and conga) is present in most of the arrangements, giving them an original sound identity without forgetting the roots. The group is made up of multi-instrumentalists from different parts of Brazil and the world, who bring their idiosyncrasies and influences, resulting in a unique performance full of power but also lightness, without neglecting the activism and resistance of women who are still fighting for greater representation in samba.

Banda Tropikaos

The band Tropikaos, put together by the Adalu association, has set itself the goal of presenting the best sound of Brazilian carnival. With their energetic performance, they take the audience on a musical journey through the whole of Brazil - from north to south, from old classics to modern hits. rWith their energetic performance, the talented musicians fascinate the audience and ignite an irresistible groove that entices you to dance. rThe band Tropikaos is more than just a band, they are an artistic experience that enchants the senses and ignites pure joie de vivre.

Miss Trópica

Adalu Carnaval

Cris Trópica Indian from Rio de Janeiro, has set herself the goal of spreading the extensive Brazilian music culture, with all its roots and influences, in Europe. In her project BelezaPuraSomSistema, she regularly collaborates with DJs from home and abroad who share her passion for Brazilian music. She will end the party with hot brazil beats.

Meshell Ndegeocello

Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She eschewed genre for originality, celebrity for longevity, and musical trends for musical truths. Fans have come to expect the unexpected and follow her on sojourns into soul, R&amp;B, jazz, hip-hop, rock, all bound by the search for love, justice, respect, and resolution. Those sonic investigations have defied and redefined the expectations for women and queer artists for over 30 years and she remains one of few persons who write the music, sing the songs, and lead the band. A bass player above all else, Meshell brings her warm, fat, and melodic groove to everything she does and is often seen as the pioneer of the so-called Neo Soul movement alongside The Soulquarians or Maxwell. Following her acclaimed Blue Note debut in 2023 with &quot;The Omnichord Real Book&quot;, Meshell returns with &quot;No More Water: The Gospel of James Baldwin&quot;, released in Summer 2024.

Hammond organ

Leslie

«Zugzwang» (Uraufführung)

Tomas Korber, Christian Kobi, Tobias Gerber, Karolina Öhman, Tamriko Kordzaia, Christian Wolfarth

Decisions must be made within a network of feedback loops whose course is only partially predictable, acting under conditions of limited control. Zugzwang is an electroacoustic ensemble composition by Tomas Korber, created as part of the City of Zurich&#x27;s 2025 Work Year programme. The ensemble combines acoustic instruments with a network of microphones, software, and feedback loops. The result is music with extreme registers and strong dynamic contrasts, characterised by an archaic, raw sound. The repetitive and process-oriented nature of the music causes listeners and musicians to enter a trance-like state in which time seems to stretch infinitely. Thus, Zugzwang examines the interplay between individual decision-making, collective processes, and the momentum of an unstable system. For twenty years, the Swiss-Georgian festival Close Encounters has promoted encounters and collaborations, providing spaces for experimentation and reflection. It facilitates intensive exchange between participating musicians, transcending geographical distances, scenes and styles. In both Switzerland and Georgia, Close Encounters continues to break down institutional, stylistic and scene-related boundaries, connecting a diverse range of audiences.

«Homo Freq»

An Experimental Electroacoustic Opera

Homo Freq: An Experimental Electroacoustic Opera is more than just a mini opera. It is a platform for experimentation, a space in which opera, the old and immovable monster, is translated and reimagined. Created in collaboration with Nasi Chavchavadze and Lisa Kereselidze, who like Tiko have their roots in classical music, the project is the brainchild of Georgian musician Tiko Gogoberidze. In Homo Freq, their background meets experimental practice, resulting in an experimental electroacoustic opera. The means employed range from live electronics and classical singing to free improvisation and experimental approaches, with a constantly changing libretto depending on the performers, their voices, and their perspectives. This evening, the young Zurich-based composer and musician Felix Friedrich will be joining them. Tiko Gogoberidze belongs to the next generation of the Georgian electronic and club scene. Her music ranges from technoid club music and noisy experimental projects to pop and music theatre. Her work is characterised by her openness in moving between different musical fields while always maintaining her own unique style. Not only is Tiko Gogoberidze an accomplished electronic musician, she is also a classically trained singer.

Composition

25 YEARS VINTAGE JAM BAND

Fred Wesley Generations Trio

Fred Wesley wrote funk history alongside James Brown and George Clinton, serving as one of the genre&#x27;s architects. Now, he is starting a new chapter that connects him with his jazz roots and an exciting future: Generations. Generations is a versatile trio featuring Wesley on trombone, Leonardo Corradi on organ, and Tony Match on drums. The three musicians originally came together to pay tribute to legendary organist Jimmy Smith&#x27;s soulful jazz — and immediately found a musical chemistry that has kept them performing together to this day. However, the trio doesn&#x27;t limit itself to jazz. They groove through rap, soul, and funk together, creating a sound that is as versatile as it is rousing. Together, they elevate their groove and bring the rhythm to life.

Laura & Luzius Schuler: Mandà in Lunga

It is music of crystalline beauty, equally natural spectacle and document of a most intimate musical interaction. In the autumn and winter of 2023, Laura and Luzius Schuler travel to Val Poschiavo to listen to alpine tales. Here, siblings Laura and Luzius are confronted with the rugged mountain world and a landscape in a state of flux. In the face of this scenery, voice and instruments become mist and shadow. They pulse like the rock that surrounds them. The organ is no longer a monolith, but flexible, malleable, capable of singing, while the bow plays the wind, the light, the water. This music resembles the brushstroke of the sun, which brings the stone to life, painting it through the clouds. Recorded in the reformed church of Poschiavo, with Luzius on the church organ and Laura on violin and vocals, their album &quot;Mandà in Lunga&quot; (Ronin Rhythm Records, 2025) was recorded over in just two sessions. As if in a state of suspension we find improvised confrontations with the surrounding environment and with nature, somewhere between acoustic ambient and experimental sound art. Concert location: ZHdK, Konzertsaal 2 (Orgelsaal), 7.K12, Pfingstweidstrasse 96, 8005 Zürich

Orgel

Kalem Ensemble

Kultur Shock & Moods present

The Kalem ensemble gives traditional Balkan music a fresh, modern sound. It consists of the two musicians Stefan Ilić (vocals/violin) and Dušan Popović Lipovac (guitar). Their joint style is the result of a finely tuned fusion of their musical influences: Dušan brings in Mediterranean and classical timbres, while Stefan is deeply rooted in traditional folk music with his authentic singing and playing style. Their third studio album Polako was recently released, which contains newly arranged traditional songs as well as four of their own compositions.

Mario Peric

After the quiet, seated concert, you can round off the evening at the bar. Global beats are served far beyond the borders of the Balkans. With the legendary concert and party series Kultur Shock, Mario Peric is one of the pioneers of the Balkan scene as an organizer, DJ and producer. He has been thrilling audiences for many years with his varied, explosive and crazy sounds. His musical spectrum cannot be pinned down to one direction. The main thing is that it fits!

Marie Krüttli & Ensemble

For the currents festival, Marie Krüttli presents new music as a ritual of becoming. The lyrics evoke feminine power through ancient goddesses — Amaterasu, Isis, Athena — luminous, wise, maternal, brave and fiercely protective figures of transformation. These presences mirror a journey of self-growth and love, deeply rooted in nature and its cycles. Musically, the work draws on the forward-looking sensuality and groove of Bilal’s recent creations and on Baudelaire’s poetry as set to music by Debussy, alongside the refined colors of Poulenc and Ibert. The music unfolds as an intimate, expansive soundscape where myth, care, and strength resonate.

Zola Jesus & Ensemble

Nika Roza Danilova has summoned electronic goth incantations as Zola Jesus (us) since 2006. She’s endlessly tinkered with her sound as a sonic auteur, and explored the inner workings of her soul by engaging with art pop, classical, and brutally industrial cold wave. For her currents festival appearance, Zola Jesus is joined by musical polymath Louise Woodward and an all-star cast of Zürich classical musicians, including the acclaimed Galatea Quartet, for a new hypnotic, tidal piece for voice, string quintet and French horn.

Flute

E-Bass

Holland Andrews & yuniya edi kwon

Kay Zhang – ANCESTRAL ROOTS

ANCESTRAL ROOTS invites people to a celebration that honors heritage and culture, living in and through the diaspora, and third culture identities through sound, storytelling or chanting, making the invitation wide, vibrant and inclusive. Holland Andrews (they/them) and yuniya edi kwon (she/her) are composer-improvisers, vocalists, and interdisciplinary performance makers based in Brooklyn, New York. Their collaborative practice is an emergent and embodied extension of their lives as ritualists, spiritual practitioners, and partners. Holland, a multi-instrumentalist and producer, arranges music for voice, clarinet, and electronics, harnessing the power of these instruments to address themes of vulnerability, catharsis, and healing. yuniya, in her work, connects sound, movement, and ceremony to explore transformation, transgression, and mythology’s ability to both obscure and reveal. Their co-created opera-in-progress &quot;How does it feel to look at nothing&quot; is a transdisciplinary space of convergence for their shared life, queer-trans family, and beloved creative lineages, grounded in the foundational questions that connect and inspire them. Separately, their work has been presented by The Whitney, REDCAT, PICA, ISSUE Project Room, Dia Art Foundation, Performa Biennial, Roulette Intermedium, Civitella Ranieri, and others. Holland and yuniya are both Guggenheim Fellows, Foundation for Contemporary Arts Awardees, Creative Capital Awardees, and United States Artists Fellows. &quot;How does it feel to look at nothing&quot; will have its world premiere in Fall 2026 before touring internationally. Curator: Kay Zhang (she/they) is a sonic artist whose work explores in-betweenness through sound, performance, curation, and research. Rooted in experimentation and learning-by-doing, their practice bridges transdisciplinary art, queer feminist theory, and sound ecologies. Kay is a founding member of Kollektiv international Totem (KIT), River Oracle, and ARKA, and is part of the curatorial team at Les Complices* in Zurich. Their work fosters collective listening, care practices, and intercultural dialogue through sound performance and curatorial experiences.

Clarinet

Antistatic

The Danish instrumental trio Antistatic creates complex soundscapes with just two guitars and drums. Their instruments intertwine effortlessly, combining percussive guitar lines and intricate polyrhythms to create hypnotic grooves that lie somewhere between post-punk and math rock. Their debut album, Relics, was released in 2024 on the renowned US label Cuneiform Records and received rave reviews worldwide. This year, the band will follow up with a new release. Antistatic is an experience, especially live. They build dynamics between controlled precision and cathartic outbursts. With their repetitive, driving rhythms, they put you in a trance, only to create new tension time and again with surprising twists.

Sc'ööf

Sc&#x27;ööf are tipped to be the next big thing in Europe. The experimental band has already won the Zenith Award from the European Jazz Network, among other accolades, and has developed its own radical sound that is refreshingly adventurous and provocative. With their fascination for strange grooves and exuberant live energy, Sc&#x27;ööf are an exciting surprise. The Swiss-based quartet consists of drums, a laptop, an electric guitar and two saxophones with electronics and sound design. They create acoustic glitch music using advanced instrumental techniques, weaving atonal melodies into dense, complex rhythms and blending a variety of musical ideas into a single piece. Their sound uniquely combines elements of jazz, rock, metal, punk and experimental music. Their technically impressive performances are based on strong individual musicality and years of collaboration. Thanks to their long, repetitive, highly rhythmic structures, their performances are hypnotic, and thanks to their physical energy, they are intense.

ZHdK @ JazzBaragge

Jan Galega Brönnimann, Moussa Cissokho, Omri Hason

JMO are not only the initials of the three musicians, but also the three main influences in their music: Jazz - Mandinka - Orient. To mark their 10th anniversary, Jan Galega Brönnimann, Moussa Cissokho and Omri Hason are presenting their third CD Nia Yelle. In Mandinka, a West African language, this means: Open Your Eyes. The music of JMO revives the art of storytelling. The sparkling clear sound of the kora meets the sonorous, smoky tones of the bass clarinet and is supported by Omri Hason&#x27;s various percussion instruments. The interplay between Moussa Cissokho, Jan Galega Brönnimann and Omri Hason captivates with beautiful melodies and rhythmic elegance - in their unforgettable live concerts they oscillate between magically transfigured moments and rhythmically explosive flights of fancy. The result is authentic and contemporary chamber music that crosses borders between traditional and modern sounds from Africa, Europe and the Orient. The repertoire is written by all three musicians and shows their different influences. The clash of the three cultures, the choice of instruments and the rich pool of ideas, melodies and rhythms make the music an unforgettable adventure.

20 Jahre Heidi Happy – die Jubiläumsshow

mit Büne Huber, Wallis Bird, Rebekka Lindauer und Handsome Hank

To celebrate her anniversary, Heidi Happy has written a song with each of her twenty most inspiring encounters from the past twenty years. And at Moods Heidi Happy will be presenting her resulting album “20”, which will be released on February 6, 2026, with some illustrious guests! Büne Huber, Wallis Bird, Rebekka Lindauer, and Handsome Hank will join Heidi to take a look back onto her musical career to date. Folky singer-songwriter ballads, spherically dreamy hippie worlds and synth-pop with French charm - it&#x27;s all there. Sometimes very calm and unagitated, sometimes so moving that it&#x27;s hard not to dance along or howl with emotion.

Zwicker feat. Heidi Happy

Afterparty

Zwicker&#x27;s music fuses songwriting with dance floor electronica. He has performed as a DJ all over the world with his club tunes, some of which he recorded with singer Heidi Happy (for example, ‘Who You Are’, 2009). His releases on Compost Records are timelessly charming and have received millions of streams on various platforms. This evening, the busy soundtrack composer, whose birth name is Cyril Böhler, is stepping out of the studio once again. He will be visiting his former DJ residence at Moods with new tracks, including a guest appearance by Heidi Happy! The stars are aligned. Dancing is allowed.

Mandolin

Meral Polat

jazzhane & Moods present

Meral Polat is a Dutch actress, playwrighter, songwriter and singer with Kurdish-Alevi roots. Together with her three fellow musicians, she creates an open, multi-layered sound that combines Anatolian folk, Kurdish poetry, rock, blues and improvisational elements. Her debut album Ez Kî Me is a contemporary interpretation of Anatolian music, at times a battle cry, at others a delicate call for identity and belonging and was nominated for the Songlines Music Award and the UPBEAT Best New Talent Award 2024. With her second album Meydan she gives voice to women living on their own terms, a powerful, epic exploration of freedom, humanity and women&#x27;s strength. Musically, it adds more rhythm, groove, rock ‘n’ roll, and power, sharing stories of resistance, struggle, and solidarity in the fight for women’s rights.

CHAMOS

Known for their genre-spanning DJ sets that seamlessly blend West Asian influences, bass, and percussion, CHAMOS truly embody their name—meaning &quot;friends&quot;—as they bring together diverse sounds and audiences. With members from Kurdish and Dutch backgrounds, their music effortlessly fuses traditional and electronic elements. Building on the success of their club edits series, which has garnered attention from DJs and artists alike, the duo has cultivated an organic and ever-growing fanbase.

Filippo Valli Quartet

The Filippo Valli Quartet presents a repertoire that combines the bandleader’s original compositions with modern interpretations of jazz standards. The band stands out for its harmonious balance between composition and improvisation, as well as for a vivid and profound musical dialogue. Valli draws inspiration from some of the most innovative voices in contemporary jazz, such as Joel Ross, Immanuel Wilkins, Braxton Cook, Marquis Hill, Joe Sanders and Joshua Redman. Artists, whose complex sonic landscapes provide fertile ground for his creativity. At the same time, it is the soul of Black music that deeply permeates his artistic vision, with blues, soul and funk becoming languages through which Valli shapes a personal and emotionally charged sound world. The interplay of the four band members’ musical identities creates a rich palette of nuances and expressive depth. The quartet leads the listener on a musical journey that flows between moments of high energy and intimate reflection, with the musicians’ collaborative spirit turning each concert into a coherent, immersive and profoundly contemporary experience.

Ben Wendel's BaRcoDe

Ben Wendel, Joel Ross, Simon Moullier, Patricia Brennan, Juan Diego Villalobos

Canadian saxophonist Ben Wendel returns to our club with an innovative new ensemble. Following concerts with Kneebody and his sextet, as well as a featured performance with Kurt Rosenwinkel’s NEXT STEP in recent years, Wendel&#x27;s latest line-up features four leading vibraphonists. This electroacoustic project showcases a distinctive and vibrant instrumentation, exploring the intersection of chamber, classical, and minimal music within the context of contemporary jazz. With some of the biggest names in contemporary percussion, this is set to be a boundary-pushing evening both on and off stage. BaRcoDe brings together four of the most innovative voices in contemporary percussion. Joel Ross, a Blue Note recording artist, has redefined the vibraphone through acclaimed releases like KingMaker and The Parable of the Poet, and is widely regarded as one of his generation’s most expressive improvisers. Simon Moullier — praised by Quincy Jones and Herbie Hancock, and known for his customized quarter-tone vibraphone — expands the instrument’s vocabulary with global idioms and electronics. Patricia Brennan is celebrated for her exploratory solo work and collaborations with avant-garde leaders like Mary Halvorson and John Zorn, using extended techniques and real-time processing to reimagine the vibraphone’s role. Venezuelan-born Juan Diego Villalobos draws on Afro-Caribbean traditions and experimental electronics, bringing a folkloric yet futuristic energy to the ensemble’s sound.

Vibraphon

Marimba

Marco Mezquida

«Táctil»

Some musicians play notes; others live sounds. Marco Mezquida is the latter. Born in Menorca, this pianist, improviser, and composer embodies musical passion. He is considered one of the most vibrant figures on the Spanish jazz scene. He is often described as a &quot;child prodigy,&quot; &quot;piano wizard,&quot; and &quot;magnetic.&quot; He moves effortlessly between jazz, classical, flamenco, folk, pop, and free improvisation. Among his many awards, he has been voted Musician of the Year four times by the BMW Welt Jazz Award (Audience &amp; Jury Award) and the Asociación de Músicos de Jazz y Moderna de Catalunya (Association of Jazz Musicians of Catalonia). Following the albums Letter to Milos, Talismán, and Ravel&#x27;s Dreams, Marco Mezquida will present his new album, Táctil, in spring 2026. He will perform with his musical partners, Aleix Tobias on drums and percussion and Martín Meléndez on cello.

m4music Conference

Over 40 shows on 5 festival stages, a conference, demo tape clinic, and an award show: the m4music Festival by Migros Culture Percentage on Friday, March 20, and Saturday, March 21, 2026, at Schiffbau, Moods, and EXIL. Tickets can be exchanged for festival wristbands at the check-in desk from 6 p.m. The wristband entitles you to admission to all concerts as long as capacity allows. We recommend arriving early. Admission is restricted to persons aged 16 and over; younger persons may only enter if accompanied by a parent or legal guardian. The afternoon program, including the conference, demo tape clinic, concerts on the open-air stage, and award show, is open to the public. The festival will be held in accordance with current official regulations; subject to changes and program changes. Further information about the festival is available at www.m4music.ch and on Instagram. Line-up: 3YOONI / Akryl / bangerfabrique / Bricknasty / Charlize / Copycat / Cordoba78 / Eckhart / ETO / Fau$tino &amp; Manu913 / glitchBABY / Good Neighbours / Grenzkontrolle / Kayla Shyx / Laurenz Nikolaus / Lilac Attitude / Lone Assembly / Lovehead / Marlo Grosshardt / Marlon Magnée / Moictani / Monster Florence / Pablo &amp; Special Guests / Paula Engels / Paxslim / Polarbæren X La Nefera / Seulfa / Splendid /Stereo Luchs

m4music Festival

Over 40 shows on 5 festival stages, a conference, demo tape clinic, and an award show: the m4music Festival by Migros Culture Percentage on Friday, March 20, and Saturday, March 21, 2026, at Schiffbau, Moods, and EXIL. Tickets can be exchanged for festival wristbands at the check-in desk from 6 p.m. The wristband entitles you to admission to all concerts as long as capacity allows. We recommend arriving early. Admission is restricted to persons aged 16 and over; younger persons may only enter if accompanied by a parent or legal guardian. The afternoon program, including the conference, demo tape clinic, concerts on the open-air stage, and award show, is open to the public. The festival will be held in accordance with current official regulations; subject to changes and program changes. Further information about the festival is available at www.m4music.ch and on Instagram. Line-up: 3YOONI / Akryl / bangerfabrique / Bricknasty / Charlize / Copycat / Cordoba78 / Eckhart / ETO / Fau$tino &amp; Manu913 / glitchBABY / Good Neighbours / Grenzkontrolle / Kayla Shyx / Laurenz Nikolaus / Lilac Attitude / Lone Assembly / Lovehead / Marlo Grosshardt / Marlon Magnée / Moictani / Monster Florence / Pablo &amp; Special Guests / Paula Engels / Paxslim / Polarbæren X La Nefera / Seulfa / Splendid /Stereo Luchs

Over 40 shows on 5 festival stages, a conference, demo tape clinic, and an award show: the m4music Festival by Migros Culture Percentage on Friday, March 20, and Saturday, March 21, 2026, at Schiffbau, Moods, and EXIL. Tickets can be exchanged for festival wristbands at the check-in desk from 6 p.m. The wristband entitles you to admission to all concerts as long as capacity allows. We recommend arriving early. Admission is restricted to persons aged 16 and over; younger persons may only enter if accompanied by a parent or legal guardian. The afternoon program, including the conference, demo tape clinic, concerts on the open-air stage, and award show, is open to the public. The festival will be held in accordance with current official regulations; subject to changes and program changes. Further information about the festival is available at www.m4music.ch and on Instagram.

Dominique Fils-Aimé

Dominique Fils-Aimé is a rising star in vocal jazz, a Montreal singer-songwriter who puts the history of African-American musical culture into the heart of her work. She crafts her work in cycles, with each trilogy telling a unique chapter in her quest for sonic, creative, and spiritual freedom. In 2023, Dominique Fils-Aimé launched her second trilogy, a collection of introspective and intuitive works that began with «Our Roots Run Deep», which has already been celebrated at Moods. So, in February 2026, Dominique will unveil the second chapter of this cycle with a new studio album «My World Is The Sun». On this project, she focuses on the very essence of the creative process. It reflects her commitment to freedom, to the sonic, creative, and spiritual dimensions as well as her desire to create from a place of honesty and vulnerability. Reaching from contemplative ballads to energetic outbursts, this show will invite the audience to delve into the roots of her soul and to connect with one&#x27;s higher self For fans of Bobby McFerrin and Youn Sun Nah

Rachel Eckroth Trio

Straight-ahead, modern and unmistakable. Although she tours large stadiums and festivals with St. Vincent, three-time Grammy-nominated pianist and singer Rachel Eckroth keeps her solo projects surprisingly and refreshingly traditional. In October 2025, her all-female trio, featuring bassist Emma Dayhuff and drummer Tina Raymond, released their latest EP, This Is One of Those Moments. It&#x27;s a tried-and-tested formation with a contemporary twist, and the same approach applies to her music. This is particularly evident on the new EP, which is highly lyrical: one patiently follows the melodies and rhythmic cells, watching them unfold into constantly changing, colourful, shimmering pieces. It is immediately apparent that Rachel Eckroth hears things differently to the rest of us. Her music is an evolving soundscape, full of darkness yet accessible and redeeming light.

Theo Croker

«Dream Manifest»

For Theo Croker, the trumpet is just the beginning. Seamlessly blending jazz, soul, hip-hop, electronica, spoken word, and Afrofuturism, the grandson of Doc Cheatham creates a unique sound. Croker takes the language of jazz and expands it into a soundscape all his own, where improvisation meets production, beats meet brass, and history meets the present. His music thrives on dialogue with tradition, his musical roots, and the world as it sounds today. His live shows are not traditional concerts, but rather journeys through sound and mood. They are atmospheric, highly musical, and deeply connected to the moment. At Moods, he will take us on this journey with his eighth album, Dream Manifest. The evening will be a meditation on what can coexist as he experiments with acoustic, electric, and digital layers of sound. Deep grooves combine serenity and tension to form covalent bonds. Trances become conversations. Beautiful, dreamlike melodies collide with grounding pads and raw friction.

Disk Jockey

Zurich Jazz Orchestra feat. Juan Munguía

Latin Night – Rompiendo La Rutina

We embark on excursions into two of the most important Latin worlds: Brazil and Cuba. We begin in Brazil, where we will hear soloists of the ZJO performing in a wide variety of rhythms such as samba, bossa nova, and frevo. The second set brings a premiere: the ZJO will perform at the Moods jazz club with the Cuban trumpet doyen Juan Munguía, who lives in Spain. At the age of 22, Munguía was brought into the band Irakere as Arturo Sandoval’s successor, where he remained for 15 years. Irakere toured the world and left its mark in Europe with concerts and albums. From 1995 to 1997, Munguía lived in Switzerland, taught here, and performed with local ensembles during that time. In addition to captivating salsa pieces, the evening will also feature arrangements with Latin American influences by Ed Partyka. We are particularly excited about the pieces arranged exclusively for the Zurich Jazz Orchestra by Munguía.

BalkanEkstra

Kalem Ensemble

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