Kweku Sackey aka K.O.G (Kweku of Ghana) is a multi-dimensional creative force, combining exquisite writing skills with shamanistic live performance, fierce raps, perfectly on pitch singing across a massive vocal range and some absolutely wicked dance moves. Not to mention his skills as a percussionist, arranger, bandleader and art director. A true poet and storyteller, he uses a mix of English, Pidgin and Ga to paint sonic pictures that reach deep into the souls of everyone ready to listen.
Born in Accra, Ghana, to a nurse mother and marine engineer father who had studied in England, he grew up with a diverse range of international influences alongside Ghanaian styles: Tom Waits, Quincy Jones, Bob Marley, Sizzla, Ladysmith Black Mambazo, Ebo Taylor, Gyedu Blay Ambolley, Atongo Simba, George Clinton, Pavarotti, Warsaw Village Band.
Kweku is deeply aware of his heritage and of his role as an ambassador both through space and time, negotiating culturally both between African and Western influences and between the traditional and the modern: always open to new innovations and ideas while firmly rooted in a deep lineage. This openness has informed recent collaborations with a wide wide range of producers and writers, including Léon Phal, Jembaa Groove, Zed Bias, iZem, Afriquoi, Congo Natty, Scrimshire, Dark Sky, Dizraeli, Chiminyo, Umoja and many more in the pipeline.
Kweku Sackey aka K.O.G (Kweku of Ghana) is a multi-dimensional creative force, combining exquisite writing skills with shamanistic live performance, fierce raps, perfectly on pitch singing across a massive vocal range and some absolutely wicked dance moves. Not to mention his skills as a percussionist, arranger, bandleader and art director. A true poet and storyteller, he uses a mix of English, Pidgin and Ga to paint sonic pictures that reach deep into the souls of everyone ready to listen.
Born in Accra, Ghana, to a nurse mother and marine engineer father who had studied in England, he grew up with a diverse range of international influences alongside Ghanaian styles: Tom Waits, Quincy Jones, Bob Marley, Sizzla, Ladysmith Black Mambazo, Ebo Taylor, Gyedu Blay Ambolley, Atongo Simba, George Clinton, Pavarotti, Warsaw Village Band.
Kweku is deeply aware of his heritage and of his role as an ambassador both through space and time, negotiating culturally both between African and Western influences and between the traditional and the modern: always open to new innovations and ideas while firmly rooted in a deep lineage. This openness has informed recent collaborations with a wide wide range of producers and writers, including Léon Phal, Jembaa Groove, Zed Bias, iZem, Afriquoi, Congo Natty, Scrimshire, Dark Sky, Dizraeli, Chiminyo, Umoja and many more in the pipeline.